learn bengali now human body parts 123

Human Body Part Names in Bengali

1. Ear – kan – āĻ•āĻžāύ

The ear, a multifunctional organ in mammals,
āĻ•āĻžāύ, āĻ¸ā§āϤāĻ¨ā§āϝāĻĒāĻžāϝāĻŧā§€ āĻĒā§āϰāĻžāĻŖā§€āϰ āĻāĻ•āϟāĻŋ āĻŦāĻšā§āĻŽā§āĻ–ā§€ āĻ…āĻ™ā§āĻ—,

facilitates hearing and body balance through the vestibular system.
āϭ⧇āĻ¸ā§āϟāĻŋāĻŦ⧁āϞāĻžāϰ āϏāĻŋāĻ¸ā§āĻŸā§‡āĻŽā§‡āϰ āĻŽāĻžāĻ§ā§āϝāĻŽā§‡ āĻļā§āϰāĻŦāĻŖāĻļāĻ•ā§āϤāĻŋ āĻāĻŦāĻ‚ āĻļāϰ⧀āϰ⧇āϰ āĻ­āĻžāϰāϏāĻžāĻŽā§āϝ āĻŦāϜāĻžāϝāĻŧ āϰāĻžāϖ⧇āĨ¤

It comprises three main sections: the outer ear,
āĻāϟāĻŋ āϤāĻŋāύāϟāĻŋ āĻĒā§āϰāϧāĻžāύ āĻ…āĻ‚āĻļ āύāĻŋāϝāĻŧ⧇ āĻ—āĻ āĻŋāϤ: āĻŦāĻžāχāϰ⧇āϰ āĻ•āĻžāύ,

which includes the pinna and ear canal; the middle ear,
āϝāĻžāϰ āĻŽāĻ§ā§āϝ⧇ āϰāϝāĻŧ⧇āϛ⧇ āĻĒāĻŋāύāĻž āĻāĻŦāĻ‚ āĻ•āĻžāύ āĻ–āĻžāϞ; āĻŽāĻ§ā§āϝ āĻ•āĻžāύ,

responsible for sound transmission; and the inner ear,
āĻļāĻŦā§āĻĻ āϏāĻ‚āĻ•ā§āϰāĻŽāϪ⧇āϰ āϜāĻ¨ā§āϝ āĻĻāĻžāϝāĻŧā§€; āĻāĻŦāĻ‚ āĻ­āĻŋāϤāϰ⧇āϰ āĻ•āĻžāύ,

critical for both hearing and balance.
āĻļā§āϰāĻŦāĻŖāĻļāĻ•ā§āϤāĻŋ āĻāĻŦāĻ‚ āĻ­āĻžāϰāϏāĻžāĻŽā§āϝ āωāĻ­āϝāĻŧ⧇āϰ āϜāĻ¨ā§āϝāχ āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖāĨ¤


2.Neck – Ghar – āϘāĻžāĻĄāĻŧNeck - Ghar - āϘāĻžāĻĄāĻŧ

The neck, a complex assembly of bones, muscles, nerves, blood vessels, lymphatics, and connective tissues, serves as the bridge between the head and torso.
āϘāĻžāĻĄāĻŧ, āĻšāĻžāĻĄāĻŧ, āĻĒ⧇āĻļā§€, āĻ¸ā§āύāĻžāϝāĻŧ⧁, āϰāĻ•ā§āϤāύāĻžāϞ⧀, āϞāĻŋāĻŽā§āĻĢā§āϝāĻžāϟāĻŋāĻ•ā§āϏ āĻāĻŦāĻ‚ āϏāĻ‚āϝ⧋āĻ—āĻ•āĻžāϰ⧀ āϟāĻŋāĻ¸ā§āϝ⧁āϗ⧁āϞāĻŋāϰ āĻāĻ•āϟāĻŋ āϜāϟāĻŋāϞ āϏāĻŽāĻžāĻŦ⧇āĻļ, āĻŽāĻžāĻĨāĻž āĻāĻŦāĻ‚ āϧāĻĄāĻŧ⧇āϰ āĻŽāĻ§ā§āϝ⧇ āϏ⧇āϤ⧁ āĻšāĻŋāϏāĻžāĻŦ⧇ āĻ•āĻžāϜ āĻ•āϰ⧇āĨ¤

Within the neck, the cervical spine represents the bony component.
āϘāĻžāĻĄāĻŧ⧇āϰ āĻŽāĻ§ā§āϝ⧇, āϏāĻžāĻ°ā§āĻ­āĻŋāĻ•āĻžāϞ āĻŽā§‡āϰ⧁āĻĻāĻŖā§āĻĄ āĻšāĻžāĻĄāĻŧ⧇āϰ āωāĻĒāĻžāĻĻāĻžāύāϕ⧇ āĻĒā§āϰāϤāĻŋāύāĻŋāϧāĻŋāĻ¤ā§āĻŦ āĻ•āϰ⧇āĨ¤


3.Lip – Thot – āĻ ā§‹āρāϟ

conveying emotions, enabling speech, providing sensation, aiding in chewing, contributing to physical attraction, and facilitating intimacy.
āĻ ā§‹āρāϟ, āĻŽāĻžāύ⧁āώ⧇āϰ āĻŽā§āϖ⧇āϰ āϏāĻžāĻĨ⧇ āĻ…āĻŦāĻŋāĻšā§āϛ⧇āĻĻā§āϝ, āφāĻŦ⧇āĻ— āĻĒā§āϰāĻ•āĻžāĻļ āĻ•āϰāĻž, āĻŦāĻ•ā§āϤ⧃āϤāĻž āϏāĻ•ā§āώāĻŽ āĻ•āϰāĻž, āϏāĻ‚āĻŦ⧇āĻĻāύ āĻĒā§āϰāĻĻāĻžāύ, āϚāĻŋāĻŦāĻžāύ⧋āϤ⧇ āϏāĻšāĻžāϝāĻŧāϤāĻž āĻ•āϰāĻž, āĻļāĻžāϰ⧀āϰāĻŋāĻ• āφāĻ•āĻ°ā§āώāϪ⧇ āĻ…āĻŦāĻĻāĻžāύ āϰāĻžāĻ–āĻž āĻāĻŦāĻ‚ āϘāύāĻŋāĻˇā§āĻ āϤāĻžāϰ āϏ⧁āĻŦāĻŋāϧāĻž āϏāĻš āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ āĻ•āĻžāϜ āĻ•āϰ⧇āĨ¤

They consist of the upper lip, known as ‘labium superius oris,’ and the lower lip, referred to as ‘labium inferius oris.
āϤāĻžāϰāĻž āωāĻĒāϰ⧇āϰ āĻ ā§‹āρāϟ āύāĻŋāϝāĻŧ⧇ āĻ—āĻ āĻŋāϤ, āϝāĻž ‘āĻ˛ā§āϝāĻžāĻŦāĻŋāϝāĻŧāĻžāĻŽ āϏ⧁āĻĒāĻžāϰāĻŋāϝāĻŧāĻžāϏ āĻ“āϰāĻŋāϏ’ āύāĻžāĻŽā§‡ āĻĒāϰāĻŋāϚāĻŋāϤ āĻāĻŦāĻ‚ āύ⧀āĻšā§‡āϰ āĻ ā§‹āρāϟāϕ⧇ ‘āĻ˛ā§āϝāĻžāĻŦāĻŋāϝāĻŧāĻžāĻŽ āχāύāĻĢ⧇āϰāĻŋāϝāĻŧāĻžāϏ āĻ“āϰāĻŋāϏ’ āĻŦāϞāĻž āĻšāϝāĻŧāĨ¤


4.Eyes – Chokh – āĻšā§‹āĻ–

The human eye is a highly intricate sensory organ, pivotal for perceiving visual information, including light, color, and depth.
āĻŽāĻžāύ⧁āώ⧇āϰ āĻšā§‹āĻ– āĻāĻ•āϟāĻŋ āĻ…āĻ¤ā§āϝāĻ¨ā§āϤ āϜāϟāĻŋāϞ āϏāĻ‚āĻŦ⧇āĻĻāύāĻļā§€āϞ āĻ…āĻ™ā§āĻ—, āϝāĻž āφāϞ⧋, āϰāĻ™ āĻāĻŦāĻ‚ āĻ—āĻ­ā§€āϰāϤāĻž āϏāĻš āϚāĻžāĻ•ā§āώ⧁āώ āϤāĻĨā§āϝ āωāĻĒāϞāĻŦā§āϧāĻŋ āĻ•āϰāĻžāϰ āϜāĻ¨ā§āϝ āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖāĨ¤

Its resemblance to a camera aids in our comprehension of both its structure and functioning.
āĻāĻ•āϟāĻŋ āĻ•ā§āϝāĻžāĻŽā§‡āϰāĻžāϰ āϏāĻžāĻĨ⧇ āĻāϰ āϏāĻžāĻĻ⧃āĻļā§āϝ āĻāϟāĻŋāϰ āĻ—āĻ āύ āĻāĻŦāĻ‚ āĻ•āĻžāĻ°ā§āϝāĻ•āĻžāϰāĻŋāϤāĻž āωāĻ­āϝāĻŧ⧇āϰāχ āφāĻŽāĻžāĻĻ⧇āϰ āĻŦā§‹āĻāĻžāϰ āĻ•ā§āώ⧇āĻ¤ā§āϰ⧇ āϏāĻšāĻžāϝāĻŧāϤāĻž āĻ•āϰ⧇āĨ¤

Let’s explore the intricate anatomy and functions of the human eye, shedding light on how it parallels the operation of a camera.
āφāϏ⧁āύ āĻāϰ āϜāϟāĻŋāϞ āĻļāĻžāϰ⧀āϰāĻ¸ā§āĻĨāĻžāύ āĻāĻŦāĻ‚ āĻ•āĻžāĻ°ā§āϝāĻžāĻŦāϞ⧀ āĻ…āĻ¨ā§āĻŦ⧇āώāĻŖ āĻ•āϰāĻŋāĨ¤ āĻŽāĻžāύ⧁āώ⧇āϰ āĻšā§‹āĻ–, āĻ•āĻŋāĻ­āĻžāĻŦ⧇ āĻāϟāĻŋ āĻāĻ•āϟāĻŋ āĻ•ā§āϝāĻžāĻŽā§‡āϰāĻžāϰ āĻ…āĻĒāĻžāϰ⧇āĻļāύ⧇āϰ āϏāĻŽāĻžāĻ¨ā§āϤāϰāĻžāϞāĻ­āĻžāĻŦ⧇ āφāϞ⧋āĻ•āĻĒāĻžāϤ āĻ•āϰ⧇āĨ¤


5.Heart – hridoy – āĻšā§ƒāĻĻāϝāĻŧ

The heart, though no larger than a clenched fist, serves as the pulsating epicenter of your circulatory system, orchestrating the ceaseless symphony of life as it propels blood through a network of vessels.
āĻšā§ƒā§ŽāĻĒāĻŋāĻŖā§āĻĄ, āϝāĻĻāĻŋāĻ“ āĻāĻ•āϟāĻŋ āĻ•ā§āϞ⧇āĻžā§āϚāĻĄ āĻŽā§āĻˇā§āϟāĻŋāϰ āĻšā§‡āϝāĻŧ⧇ āĻŦāĻĄāĻŧ āύāϝāĻŧ, āφāĻĒāύāĻžāϰ āϏāĻ‚āĻŦāĻšāύāϤāĻ¨ā§āĻ¤ā§āϰ⧇āϰ āĻ¸ā§āĻĒāĻ¨ā§āĻĻāύāĻļā§€āϞ āϕ⧇āĻ¨ā§āĻĻā§āϰ āĻšāĻŋāϏāĻžāĻŦ⧇ āĻ•āĻžāϜ āĻ•āϰ⧇, āĻœā§€āĻŦāύ⧇āϰ āĻ…āĻŦāĻŋāϰāĻžāĻŽ āϏāĻŋāĻŽā§āĻĢāύāĻŋāϕ⧇ āĻ…āĻ°ā§āϕ⧇āĻ¸ā§āĻŸā§āϰ⧇āϟ āĻ•āϰ⧇ āĻ•āĻžāϰāĻŖ āĻāϟāĻŋ āϰāĻ•ā§āϤāύāĻžāϞ⧀āϗ⧁āϞāĻŋāϰ āĻāĻ•āϟāĻŋ āύ⧇āϟāĻ“āϝāĻŧāĻžāĻ°ā§āϕ⧇āϰ āĻŽāĻžāĻ§ā§āϝāĻŽā§‡ āϰāĻ•ā§āϤāϕ⧇ āϚāĻžāϞāĻŋāϤ āĻ•āϰ⧇āĨ¤

Within its muscular confines, it houses a quartet of chambers, meticulously synchronized by the intricate dance of electrical impulses.
āĻāϰ āĻĒ⧇āĻļā§€āĻŦāĻšā§āϞ āϏ⧀āĻŽāĻžāϰ āĻŽāĻ§ā§āϝ⧇, āĻāϟāĻŋ āĻāĻ•āϟāĻŋ āϚāϤ⧁āĻˇā§āϕ⧋āĻŖ āĻšā§‡āĻŽā§āĻŦāĻžāϰ āϧāĻžāϰāĻŖ āĻ•āϰ⧇, āϝāĻž āĻŦ⧈āĻĻā§āϝ⧁āϤāĻŋāĻ• āφāĻŦ⧇āϗ⧇āϰ āϜāϟāĻŋāϞ āύ⧃āĻ¤ā§āϝ⧇āϰ āĻĻā§āĻŦāĻžāϰāĻž āϏāĻžāĻŦāϧāĻžāύāϤāĻžāϰ āϏāĻžāĻĨ⧇ āϏāĻŋāĻ™ā§āĻ•ā§āϰ⧋āύāĻžāχāϜ āĻ•āϰāĻž āĻšāϝāĻŧāĨ¤

Yet, it is not a solitary conductor; rather, it humbly takes its cues from the grand maestro—the brain and nervous system—ensuring the harmonious flow of vitality throughout your being.
āϤāĻŦ⧁āĻ“, āĻāϟāĻŋ āĻāĻ•āϟāĻŋ āύāĻŋāĻ°ā§āϜāύ āĻĒāϰāĻŋāĻŦāĻžāĻšā§€ āύāϝāĻŧ; āĻŦāϰāĻ‚, āĻāϟāĻŋ āύāĻŽā§āϰāĻ­āĻžāĻŦ⧇ āĻ—ā§āĻ°ā§āϝāĻžāĻ¨ā§āĻĄ āĻŽāĻžāϝāĻŧ⧇āĻ¸ā§āĻŸā§āϰ⧋-āĻŽāĻ¸ā§āϤāĻŋāĻˇā§āĻ• āĻāĻŦāĻ‚ āĻ¸ā§āύāĻžāϝāĻŧ⧁āϤāĻ¨ā§āĻ¤ā§āϰ⧇āϰ āĻ•āĻžāĻ› āĻĨ⧇āϕ⧇ āϤāĻžāϰ āχāĻ™ā§āĻ—āĻŋāϤ āύ⧇āϝāĻŧ-āφāĻĒāύāĻžāϰ āϏāĻ¤ā§āϤāĻž āϜ⧁āĻĄāĻŧ⧇ āĻœā§€āĻŦāύ⧀āĻļāĻ•ā§āϤāĻŋāϰ āϏ⧁āϰ⧇āϞāĻž āĻĒā§āϰāĻŦāĻžāĻš āύāĻŋāĻļā§āϚāĻŋāϤ āĻ•āϰ⧇āĨ¤


6.Face – Mukh – āĻŽā§āĻ–

The enigmatic Muth sediments stand as a geological testament to a remarkable era in Earth’s history—the Later Silurian period.
āϰāĻšāĻ¸ā§āϝāĻŽāϝāĻŧ āĻŽā§āĻĨ āĻĒāϞāϞāϗ⧁āϞāĻŋ āĻĒ⧃āĻĨāĻŋāĻŦā§€āϰ āχāϤāĻŋāĻšāĻžāϏ⧇āϰ āĻāĻ•āϟāĻŋ āωāĻ˛ā§āϞ⧇āĻ–āϝ⧋āĻ—ā§āϝ āϝ⧁āϗ⧇āϰ āĻ­ā§‚āϤāĻžāĻ¤ā§āĻ¤ā§āĻŦāĻŋāĻ• āĻĒā§āϰāĻŽāĻžāĻŖ āĻšāĻŋāϏāĻžāĻŦ⧇ āĻĻāĻžāρāĻĄāĻŧāĻŋāϝāĻŧ⧇ āφāϛ⧇-āĻĒāϰāĻŦāĻ°ā§āϤ⧀ āϏāĻŋāϞ⧁āϰāĻŋāϝāĻŧāĻžāύ āϏāĻŽāϝāĻŧāĻ•āĻžāϞāĨ¤

This epoch, characterized by a rare tectonic calm, transformed the vast Tethyan domain, stretching from the enchanting Tanawal in the west to the majestic northern reaches of Nepal, into a mesmerizing canvas of offshore elongate bars and intricate shoal complexes.
āĻāχ āϝ⧁āĻ—āϟāĻŋ, āĻāĻ•āϟāĻŋ āĻŦāĻŋāϰāϞ āĻŸā§‡āĻ•āĻŸā§‹āύāĻŋāĻ• āĻļāĻžāĻ¨ā§āϤ āĻĻā§āĻŦāĻžāϰāĻž āϚāĻŋāĻšā§āύāĻŋāϤ, āĻŦāĻŋāĻļāĻžāϞ āĻŸā§‡āĻĨāĻŋāϝāĻŧāĻžāύ āĻĄā§‹āĻŽā§‡āχāύāϕ⧇ āϰ⧂āĻĒāĻžāĻ¨ā§āϤāϰāĻŋāϤ āĻ•āϰ⧇āϛ⧇, āϝāĻž āĻĒāĻļā§āϚāĻŋāĻŽā§‡ āĻŽā§‹āĻšāύ⧀āϝāĻŧ āϤāĻžāύāĻžāĻ“āϝāĻŧāĻžāϞ āĻĨ⧇āϕ⧇ āύ⧇āĻĒāĻžāϞ⧇āϰ āϰāĻžāϜāϕ⧀āϝāĻŧ āωāĻ¤ā§āϤāϰāĻžāĻžā§āϚāϞ āĻĒāĻ°ā§āϝāĻ¨ā§āϤ āĻŦāĻŋāĻ¸ā§āϤ⧃āϤ, āĻ…āĻĢāĻļā§‹āϰ āĻĒā§āϰāϏāĻžāϰāĻŋāϤ āĻŦāĻžāϰ āĻāĻŦāĻ‚ āϜāϟāĻŋāϞ āĻļā§‹āϞ āĻ•āĻŽāĻĒā§āϞ⧇āĻ•ā§āϏ⧇āϰ āĻāĻ•āϟāĻŋ āĻŽāĻ¨ā§āĻ¤ā§āϰāĻŽā§āĻ—ā§āϧ āĻ•ā§āϝāĻžāύāĻ­āĻžāϏ⧇ āĻĒāϰāĻŋāĻŖāϤ āĻšāϝāĻŧ⧇āϛ⧇āĨ¤

Here, nature displayed its artistry as it delicately crafted a tapestry of shallow water deposition, an exquisite masterpiece of well-sorted, pristine sands that captured the essence of tranquility amidst geological tumult.
āĻāĻ–āĻžāύ⧇, āĻĒā§āϰāĻ•ā§ƒāϤāĻŋ āϤāĻžāϰ āĻļ⧈āĻ˛ā§āĻĒāĻŋāĻ•āϤāĻž āĻĒā§āϰāĻĻāĻ°ā§āĻļāύ āĻ•āϰ⧇āĻ›āĻŋāϞ āĻ•āĻžāϰāĻŖ āĻāϟāĻŋ āϏ⧂āĻ•ā§āĻˇā§āĻŽāĻ­āĻžāĻŦ⧇ āĻ…āĻ—āĻ­ā§€āϰ āϜāϞ⧇āϰ āϜāĻŽāĻžāϰ āĻāĻ•āϟāĻŋ āĻŸā§‡āĻĒ⧇āĻ¸ā§āĻŸā§āϰāĻŋ āϤ⧈āϰāĻŋ āĻ•āϰ⧇āϛ⧇, āĻ­āĻžāϞāĻ­āĻžāĻŦ⧇ āϏāĻžāϜāĻžāύ⧋, āφāĻĻāĻŋāĻŽ āĻŦāĻžāϞāĻŋāϰ āĻāĻ•āϟāĻŋ āĻĻ⧁āĻ°ā§āĻĻāĻžāĻ¨ā§āϤ āĻŽāĻžāĻ¸ā§āϟāĻžāϰāĻĒāĻŋāϏ āϝāĻž āĻ­ā§‚āϤāĻžāĻ¤ā§āĻ¤ā§āĻŦāĻŋāĻ• āĻ—ā§‹āϞāĻŽāĻžāϞ⧇āϰ āĻŽāĻ§ā§āϝ⧇ āĻĒā§āϰāĻļāĻžāĻ¨ā§āϤāĻŋāϰ āϏāĻžāϰāĻžāĻ‚āĻļāϕ⧇ āϧāĻžāϰāĻŖ āĻ•āϰ⧇āĻ›āĻŋāϞāĨ¤


7.Hand – Haat – āĻšāĻžāϤ

The hand, an extraordinary marvel in the realm of vertebrate anatomy, emerges as a testament to nature’s ingenuity.
āĻšāĻžāϤ, āĻŽā§‡āϰ⧁āĻĻāĻŖā§āĻĄā§€ āĻļāĻžāϰ⧀āϰāĻŦ⧃āĻ¤ā§āϤāĻŋāϰ āĻ•ā§āώ⧇āĻ¤ā§āϰ⧇ āĻāĻ•āϟāĻŋ āĻ…āϏāĻžāϧāĻžāϰāĻŖ āĻŦāĻŋāĻ¸ā§āĻŽāϝāĻŧ, āĻĒā§āϰāĻ•ā§ƒāϤāĻŋāϰ āϚāĻžāϤ⧁āĻ°ā§āϝ⧇āϰ āĻĒā§āϰāĻŽāĻžāĻŖ āĻšāĻŋāϏāĻžāĻŦ⧇ āφāĻŦāĻŋāĻ°ā§āĻ­ā§‚āϤ āĻšāϝāĻŧāĨ¤

Positioned gracefully at the terminus of the forelimb, it embodies a symphony of unparalleled mobility and astonishing flexibility, both in its individual digits and the entirety of its structure.
āĻ…āĻ—ā§āϰāĻ­āĻžāϗ⧇āϰ āϟāĻžāĻ°ā§āĻŽāĻŋāύāĻžāϏ⧇ āϏ⧁āĻ¨ā§āĻĻāϰāĻ­āĻžāĻŦ⧇ āĻ…āĻŦāĻ¸ā§āĻĨāĻžāύ āĻ•āϰ⧇, āĻāϟāĻŋ āĻ¸ā§āĻŦāϤāĻ¨ā§āĻ¤ā§āϰ āϏāĻ‚āĻ–ā§āϝāĻž āĻāĻŦāĻ‚ āĻāϰ āĻ•āĻžāĻ āĻžāĻŽā§‹āϰ āϏāĻŽā§āĻĒā§‚āĻ°ā§āĻŖāϤāĻž āωāĻ­āϝāĻŧ āĻ•ā§āώ⧇āĻ¤ā§āϰ⧇āχ āĻ…āϤ⧁āϞāύ⧀āϝāĻŧ āĻ—āϤāĻŋāĻļā§€āϞāϤāĻž āĻāĻŦāĻ‚ āφāĻļā§āϚāĻ°ā§āϝāϜāύāĻ• āύāĻŽāύ⧀āϝāĻŧāϤāĻžāϰ āĻāĻ•āϟāĻŋ āϏāĻŋāĻŽā§āĻĢāύāĻŋāϕ⧇ āĻŽā§‚āĻ°ā§āϤ āĻ•āϰ⧇āĨ¤

This intricate wonderland of dexterity is meticulously composed of the wrist joint, where agility takes root, the carpal bones, providing the foundation for grace, the metacarpal bones, bridging the gap between strength and grace, and the phalanges, each a testament to precision in design.
āύāĻŋāĻĒ⧁āĻŖāϤāĻžāϰ āĻāχ āϜāϟāĻŋāϞ āφāĻļā§āϚāĻ°ā§āϝāĻ­ā§‚āĻŽāĻŋāϟāĻŋ āĻ•āĻŦā§āϜāĻŋāϰ āϜāϝāĻŧ⧇āĻ¨ā§āĻŸā§‡āϰ āϏāĻžāĻĨ⧇ āϏ⧂āĻ•ā§āĻˇā§āĻŽāĻ­āĻžāĻŦ⧇ āĻ—āĻ āĻŋāϤ, āϝ⧇āĻ–āĻžāύ⧇ āϤāĻ¤ā§āĻĒāϰāϤāĻž āĻļāĻŋāĻ•āĻĄāĻŧ āĻĻ⧇āϝāĻŧ, āĻ•āĻžāĻ°ā§āĻĒāĻžāϞ āĻšāĻžāĻĄāĻŧ, āĻ…āύ⧁āĻ—ā§āϰāĻšā§‡āϰ āĻ­āĻŋāĻ¤ā§āϤāĻŋ āĻĒā§āϰāĻĻāĻžāύ āĻ•āϰ⧇, āĻŽā§‡āϟāĻžāĻ•āĻžāϰāĻĒāĻžāϞ āĻšāĻžāĻĄāĻŧ, āĻļāĻ•ā§āϤāĻŋ āĻāĻŦāĻ‚ āĻ•āϰ⧁āĻŖāĻžāϰ āĻŽāĻ§ā§āϝ⧇ āĻŦā§āϝāĻŦāϧāĻžāύ āĻĒā§‚āϰāĻŖ āĻ•āϰ⧇, āĻāĻŦāĻ‚ āĻĢā§āϝāĻžāϞāĻžāĻžā§āϜāϏ, āĻĒā§āϰāϤāĻŋāϟāĻŋāϤ⧇ āύāĻŋāĻ°ā§āϭ⧁āϞāϤāĻžāϰ āĻāĻ•āϟāĻŋ āĻĒā§āϰāĻŽāĻžāĻŖāĨ¤

In the grand orchestra of life, the hand is the virtuoso, orchestrating a symphony of movements that define the unique capabilities of its possessor.
āύāĻ•āĻļāĻž āĻœā§€āĻŦāύ⧇āϰ āĻ—ā§āĻ°ā§āϝāĻžāĻ¨ā§āĻĄ āĻ…āĻ°ā§āϕ⧇āĻ¸ā§āĻŸā§āϰāĻžāϝāĻŧ, āĻšāĻžāϤāϟāĻŋ āĻšāϞ āϗ⧁āĻŖā§€āϜāύ, āϝāĻž āϤāĻžāϰ āĻ…āϧāĻŋāĻ•āĻžāϰ⧀āϰ āĻ…āύāĻ¨ā§āϝ āĻ•ā§āώāĻŽāϤāĻžāϕ⧇ āϏāĻ‚āĻœā§āĻžāĻžāϝāĻŧāĻŋāϤ āĻ•āϰ⧇ āĻāĻŽāύ āύāĻĄāĻŧāĻžāϚāĻĄāĻŧāĻžāϰ āϏāĻŋāĻŽā§āĻĢāύāĻŋ āĻ…āĻ°ā§āϕ⧇āĻ¸ā§āĻŸā§āϰ⧇āϟ āĻ•āϰ⧇āĨ¤


8.Foot – Pa – āĻĒāĻž

The foot, a true marvel of biomechanical engineering within the human body, is an intricate symphony of complexity and precision.
āĻĒāĻž, āĻŽāĻžāύāĻŦāĻĻ⧇āĻšā§‡āϰ āĻŽāĻ§ā§āϝ⧇ āĻŦāĻžāϝāĻŧā§‹āĻŽā§‡āĻ•āĻžāύāĻŋāĻ•āĻžāϞ āχāĻžā§āϜāĻŋāύāĻŋāϝāĻŧāĻžāϰāĻŋāĻ‚āϝāĻŧ⧇āϰ āĻāĻ•āϟāĻŋ āϏāĻ¤ā§āϝāĻŋāĻ•āĻžāϰ⧇āϰ āĻŦāĻŋāĻ¸ā§āĻŽāϝāĻŧ, āϜāϟāĻŋāϞāϤāĻž āĻāĻŦāĻ‚ āύāĻŋāĻ°ā§āϭ⧁āϞāϤāĻžāϰ āĻāĻ•āϟāĻŋ āϜāϟāĻŋāϞ āϏāĻŋāĻŽā§āĻĢāύāĻŋāĨ¤

Comprising an astounding ensemble of 33 joints, 26 meticulously arranged bones, and a harmonious interplay of over a hundred muscles, tendons, and ligaments, it stands as a testament to nature’s artistry in motion.
33āϟāĻŋ āϜāϝāĻŧ⧇āĻ¨ā§āĻŸā§‡āϰ āĻāĻ•āϟāĻŋ āϚāĻŽāĻ•āĻĒā§āϰāĻĻ āϏāĻ‚āĻŽāĻŋāĻļā§āϰāĻŖ, 26āϟāĻŋ āϏāĻžāĻŦāϧāĻžāύ⧇ āϏāĻžāϜāĻžāύ⧋ āĻšāĻžāĻĄāĻŧ āĻāĻŦāĻ‚ āĻāĻ•āĻļā§‹āϰāĻ“ āĻŦ⧇āĻļāĻŋ āĻĒ⧇āĻļā§€, āĻŸā§‡āĻ¨ā§āĻĄāύ āĻāĻŦāĻ‚ āϞāĻŋāĻ—āĻžāĻŽā§‡āĻ¨ā§āĻŸā§‡āϰ āĻāĻ•āϟāĻŋ āϏ⧁āϰ⧇āϞāĻž āχāĻ¨ā§āϟāĻžāϰāĻĒā§āϞ⧇ āϏāĻš, āĻāϟāĻŋ āĻ—āϤāĻŋāϤ⧇ āĻĒā§āϰāĻ•ā§ƒāϤāĻŋāϰ āĻļ⧈āĻ˛ā§āĻĒāĻŋāĻ•āϤāĻžāϰ āĻĒā§āϰāĻŽāĻžāĻŖ āĻšāĻŋāϏāĻžāĻŦ⧇ āĻĻāĻžāρāĻĄāĻŧāĻŋāϝāĻŧ⧇āϛ⧇āĨ¤

This remarkable assembly is not merely a passive foundation but a dynamic masterpiece, meticulously designed to bear the weight of existence, to usher us through the world with graceful locomotion, and to seamlessly transmit the force of our every step into the canvas of our earthly journey.
āĻāχ āĻ…āϏāĻžāϧāĻžāϰāĻŖ āϏāĻŽāĻžāĻŦ⧇āĻļāϟāĻŋ āύāĻŋāĻ›āĻ• āĻāĻ•āϟāĻŋ āύāĻŋāĻˇā§āĻ•ā§āϰāĻŋāϝāĻŧ āĻ­āĻŋāĻ¤ā§āϤāĻŋ āύāϝāĻŧ āĻŦāϰāĻ‚ āĻāĻ•āϟāĻŋ āĻ—āϤāĻŋāĻļā§€āϞ āĻŽāĻžāĻ¸ā§āϟāĻžāϰāĻĒāĻŋāϏ, āϝāĻž āĻ…āĻ¸ā§āϤāĻŋāĻ¤ā§āĻŦ⧇āϰ āĻ­āĻžāϰ āĻŦāĻšāύ āĻ•āϰāĻžāϰ āϜāĻ¨ā§āϝ, āϏ⧁āĻ¨ā§āĻĻāϰ āĻ—āϤāĻŋāϰ āϏāĻžāĻĨ⧇ āφāĻŽāĻžāĻĻ⧇āϰāϕ⧇ āĻŦāĻŋāĻļā§āĻŦ⧇āϰ āĻŽāĻ§ā§āϝ⧇ āύāĻŋāϝāĻŧ⧇ āϝāĻžāĻ“āϝāĻŧāĻžāϰ āϜāĻ¨ā§āϝ āĻāĻŦāĻ‚ āφāĻŽāĻžāĻĻ⧇āϰ āĻĒāĻžāĻ°ā§āĻĨāĻŋāĻŦ āϝāĻžāĻ¤ā§āϰāĻžāϰ āĻ•ā§āϝāĻžāύāĻ­āĻžāϏ⧇ āφāĻŽāĻžāĻĻ⧇āϰ āĻĒā§āϰāϤāĻŋāϟāĻŋ āĻĒāĻĻāĻ•ā§āώ⧇āĻĒ⧇āϰ āĻļāĻ•ā§āϤāĻŋāϕ⧇ āύāĻŋāĻ°ā§āĻŦāĻŋāĻ˜ā§āύ⧇ āϏāĻžā§āϚāĻžāϰāĻŋāϤ āĻ•āϰāĻžāϰ āϜāĻ¨ā§āϝ āϏāϤāĻ°ā§āĻ•āϤāĻžāϰ āϏāĻžāĻĨ⧇ āĻĄāĻŋāϜāĻžāχāύ āĻ•āϰāĻž āĻšāϝāĻŧ⧇āϛ⧇āĨ¤

In the grand ballet of human anatomy, the foot is the choreographer, orchestrating the poetry of movement with each elegantly choreographed step.
āĻŽāĻžāύāĻŦ āĻļāĻžāϰ⧀āϰāĻ¸ā§āĻĨāĻžāύ⧇āϰ āĻ—ā§āĻ°ā§āϝāĻžāĻ¨ā§āĻĄ āĻŦā§āϝāĻžāϞ⧇, āĻĒāĻž āĻšāϞ āϕ⧋āϰāĻŋāĻ“āĻ—ā§āϰāĻžāĻĢāĻžāϰ, āĻĒā§āϰāϤāĻŋāϟāĻŋ āĻŽāĻžāĻ°ā§āϜāĻŋāϤāĻ­āĻžāĻŦ⧇ āϕ⧋āϰāĻŋāĻ“āĻ—ā§āϰāĻžāĻĢ āĻ•āϰāĻž āĻĒāĻĻāĻ•ā§āώ⧇āĻĒ⧇āϰ āϏāĻžāĻĨ⧇ āφāĻ¨ā§āĻĻā§‹āϞāύ⧇āϰ āĻ•āĻŦāĻŋāϤāĻžāϕ⧇ āĻ…āĻ°ā§āϕ⧇āĻ¸ā§āĻŸā§āϰ⧇āϟ āĻ•āϰ⧇āĨ¤

 

Bengali is a language that can be spoken in various ways depending on the location.
āĻŦāĻžāĻ‚āϞāĻž āĻāĻŽāύ āĻāĻ•āϟāĻŋ āĻ­āĻžāώāĻž āϝāĻž āĻ…āĻŦāĻ¸ā§āĻĨāĻžāύ⧇āϰ āωāĻĒāϰ āύāĻŋāĻ°ā§āĻ­āϰ āĻ•āϰ⧇ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āωāĻĒāĻžāϝāĻŧ⧇ āĻŦāϞāĻž āϝāĻžāϝāĻŧāĨ¤
Bangla emon akti bhasha ja obosthaner upor nirvor kore bibhirnno upaye bola jaaiāĨ¤

It's not uncommon to hear the same sentence pronounced differently in different places.
āĻāĻ•āχ āĻŦāĻžāĻ•ā§āϝ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āϜāĻžāϝāĻŧāĻ—āĻžāϝāĻŧ āĻ­āĻŋāĻ¨ā§āύāĻ­āĻžāĻŦ⧇ āωāĻšā§āϚāĻžāϰāĻŋāϤ āĻšāĻ“āϝāĻŧāĻž āĻ…āĻ¸ā§āĻŦāĻžāĻ­āĻžāĻŦāĻŋāĻ• āύāϝāĻŧāĨ¤
Aki bakko bibhirnno jaigai bhirnnobhabe uchaarito howa osabhabik noyāĨ¤

Moreover, a word in Bengali can have two different pronunciations.
āϤāĻžāĻ›āĻžāĻĄāĻŧāĻž āĻŦāĻžāĻ‚āϞāĻžāϝāĻŧ āĻāĻ•āϟāĻŋ āĻļāĻŦā§āĻĻ⧇āϰ āĻĻ⧁āϟāĻŋ āĻ­āĻŋāĻ¨ā§āύ āωāĻšā§āϚāĻžāϰāĻŖ āĻĨāĻžāĻ•āϤ⧇ āĻĒāĻžāϰ⧇āĨ¤
Tachara banglai ekti sobder duti bhirnno uchaaron thakte pareāĨ¤

āϝ⧇āĻŽāύ- Jemon- ( for example )
āφāĻŽāĻŋ āĻ—āϤāĻ•āĻžāϞ āĻ—āĻŋāϝāĻŧ⧇āĻ›āĻŋāϞāĻžāĻŽ, ( Ami Gotokal Giyechilam )
āφāĻŽāĻŋ āĻ•āĻžāϞāϕ⧇ āĻ—āĻŋāϝāĻŧ⧇āĻ›āĻŋāϞāĻžāĻŽ,  ( Ami kalke Giyechilam )

This sentence is called in English ( I want yesterday )

The sentance are the same but the sentace are different. The same word can be said in two ways.
āĻŦāĻžāĻ•ā§āϝ āĻāĻ•āχ āĻ•āĻŋāĻ¨ā§āϤ⧁ āĻŦāĻžāĻ•ā§āϝ āĻ­āĻŋāĻ¨ā§āύāĨ¤ āĻāĻ•āχ āĻ•āĻĨāĻž āĻĻ⧁āχāĻ­āĻžāĻŦ⧇ āĻŦāϞāĻž āϝāĻžāϝāĻŧāĨ¤
Bakko eki kintu bakko bhirnnoāĨ¤ aki kotha dubhabe bola jaiāĨ¤

Our team Learn Bengali Now has written these posts in their own language,
āφāĻŽāĻžāĻĻ⧇āϰ āϟāĻŋāĻŽ “āĻŦāĻžāĻ‚āϞāĻž āĻļāĻŋāϖ⧁āύ āĻāĻ–āĻ¨â€ āĻāχ āĻĒā§‹āĻ¸ā§āϟāϗ⧁āϞāĻŋ āϤāĻžāĻĻ⧇āϰ āύāĻŋāϜāĻ¸ā§āĻŦ āĻ­āĻžāώāĻžāϝāĻŧ āϞāĻŋāϖ⧇āϛ⧇āύ,
amader team “Bangla Sikhun Akhon” ai postguli tader nijoshro bhasai likhechen,

There may be some mistakes in this because Bengali language can be spoken in many ways.
āĻāϤ⧇ āĻ•āĻŋāϛ⧁ āϭ⧁āϞ āĻĨāĻžāĻ•āϤ⧇ āĻĒāĻžāϰ⧇ āĻ•āĻžāϰāĻŖ āĻŦāĻžāĻ‚āϞāĻž āĻ­āĻžāώāĻž āύāĻžāύāĻžāĻ­āĻžāĻŦ⧇ āĻŦāϞāĻž āϝāĻžāϝāĻŧāĨ¤
ate kichu bhul thakte pare karon bangla bhasha nananbhabe bola jaiāĨ¤

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