Human Body Part Names in Bengali
1. Ear – kan – āĻāĻžāύ
The ear, a multifunctional organ in mammals,
āĻāĻžāύ, āϏā§āϤāύā§āϝāĻĒāĻžāϝāĻŧā§ āĻĒā§āϰāĻžāĻŖā§āϰ āĻāĻāĻāĻŋ āĻŦāĻšā§āĻŽā§āĻā§ āĻ
āĻā§āĻ,
facilitates hearing and body balance through the vestibular system.
āĻā§āϏā§āĻāĻŋāĻŦā§āϞāĻžāϰ āϏāĻŋāϏā§āĻā§āĻŽā§āϰ āĻŽāĻžāϧā§āϝāĻŽā§ āĻļā§āϰāĻŦāĻŖāĻļāĻā§āϤāĻŋ āĻāĻŦāĻ āĻļāϰā§āϰā§āϰ āĻāĻžāϰāϏāĻžāĻŽā§āϝ āĻŦāĻāĻžāϝāĻŧ āϰāĻžāĻā§āĨ¤
It comprises three main sections: the outer ear,
āĻāĻāĻŋ āϤāĻŋāύāĻāĻŋ āĻĒā§āϰāϧāĻžāύ āĻ
āĻāĻļ āύāĻŋāϝāĻŧā§ āĻāĻ āĻŋāϤ: āĻŦāĻžāĻāϰā§āϰ āĻāĻžāύ,
which includes the pinna and ear canal; the middle ear,
āϝāĻžāϰ āĻŽāϧā§āϝ⧠āϰāϝāĻŧā§āĻā§ āĻĒāĻŋāύāĻž āĻāĻŦāĻ āĻāĻžāύ āĻāĻžāϞ; āĻŽāϧā§āϝ āĻāĻžāύ,
responsible for sound transmission; and the inner ear,
āĻļāĻŦā§āĻĻ āϏāĻāĻā§āϰāĻŽāĻŖā§āϰ āĻāύā§āϝ āĻĻāĻžāϝāĻŧā§; āĻāĻŦāĻ āĻāĻŋāϤāϰā§āϰ āĻāĻžāύ,
critical for both hearing and balance.
āĻļā§āϰāĻŦāĻŖāĻļāĻā§āϤāĻŋ āĻāĻŦāĻ āĻāĻžāϰāϏāĻžāĻŽā§āϝ āĻāĻāϝāĻŧā§āϰ āĻāύā§āϝāĻ āĻā§āϰā§āϤā§āĻŦāĻĒā§āϰā§āĻŖāĨ¤
2.Neck – Ghar – āĻāĻžāĻĄāĻŧ
The neck, a complex assembly of bones, muscles, nerves, blood vessels, lymphatics, and connective tissues, serves as the bridge between the head and torso.
āĻāĻžāĻĄāĻŧ, āĻšāĻžāĻĄāĻŧ, āĻĒā§āĻļā§, āϏā§āύāĻžāϝāĻŧā§, āϰāĻā§āϤāύāĻžāϞā§, āϞāĻŋāĻŽā§āĻĢā§āϝāĻžāĻāĻŋāĻā§āϏ āĻāĻŦāĻ āϏāĻāϝā§āĻāĻāĻžāϰ⧠āĻāĻŋāϏā§āϝā§āĻā§āϞāĻŋāϰ āĻāĻāĻāĻŋ āĻāĻāĻŋāϞ āϏāĻŽāĻžāĻŦā§āĻļ, āĻŽāĻžāĻĨāĻž āĻāĻŦāĻ āϧāĻĄāĻŧā§āϰ āĻŽāϧā§āϝ⧠āϏā§āϤ⧠āĻšāĻŋāϏāĻžāĻŦā§ āĻāĻžāĻ āĻāϰā§āĨ¤
Within the neck, the cervical spine represents the bony component.
āĻāĻžāĻĄāĻŧā§āϰ āĻŽāϧā§āϝā§, āϏāĻžāϰā§āĻāĻŋāĻāĻžāϞ āĻŽā§āϰā§āĻĻāĻŖā§āĻĄ āĻšāĻžāĻĄāĻŧā§āϰ āĻāĻĒāĻžāĻĻāĻžāύāĻā§ āĻĒā§āϰāϤāĻŋāύāĻŋāϧāĻŋāϤā§āĻŦ āĻāϰā§āĨ¤
3.Lip – Thot – āĻ ā§āĻāĻ
conveying emotions, enabling speech, providing sensation, aiding in chewing, contributing to physical attraction, and facilitating intimacy.
āĻ ā§āĻāĻ, āĻŽāĻžāύā§āώā§āϰ āĻŽā§āĻā§āϰ āϏāĻžāĻĨā§ āĻ
āĻŦāĻŋāĻā§āĻā§āĻĻā§āϝ, āĻāĻŦā§āĻ āĻĒā§āϰāĻāĻžāĻļ āĻāϰāĻž, āĻŦāĻā§āϤā§āϤāĻž āϏāĻā§āώāĻŽ āĻāϰāĻž, āϏāĻāĻŦā§āĻĻāύ āĻĒā§āϰāĻĻāĻžāύ, āĻāĻŋāĻŦāĻžāύā§āϤ⧠āϏāĻšāĻžāϝāĻŧāϤāĻž āĻāϰāĻž, āĻļāĻžāϰā§āϰāĻŋāĻ āĻāĻāϰā§āώāĻŖā§ āĻ
āĻŦāĻĻāĻžāύ āϰāĻžāĻāĻž āĻāĻŦāĻ āĻāύāĻŋāώā§āĻ āϤāĻžāϰ āϏā§āĻŦāĻŋāϧāĻž āϏāĻš āĻŦāĻŋāĻāĻŋāύā§āύ āĻā§āϰā§āϤā§āĻŦāĻĒā§āϰā§āĻŖ āĻāĻžāĻ āĻāϰā§āĨ¤
They consist of the upper lip, known as ‘labium superius oris,’ and the lower lip, referred to as ‘labium inferius oris.
āϤāĻžāϰāĻž āĻāĻĒāϰā§āϰ āĻ ā§āĻāĻ āύāĻŋāϝāĻŧā§ āĻāĻ āĻŋāϤ, āϝāĻž ‘āϞā§āϝāĻžāĻŦāĻŋāϝāĻŧāĻžāĻŽ āϏā§āĻĒāĻžāϰāĻŋāϝāĻŧāĻžāϏ āĻāϰāĻŋāϏ’ āύāĻžāĻŽā§ āĻĒāϰāĻŋāĻāĻŋāϤ āĻāĻŦāĻ āύā§āĻā§āϰ āĻ ā§āĻāĻāĻā§ ‘āϞā§āϝāĻžāĻŦāĻŋāϝāĻŧāĻžāĻŽ āĻāύāĻĢā§āϰāĻŋāϝāĻŧāĻžāϏ āĻāϰāĻŋāϏ’ āĻŦāϞāĻž āĻšāϝāĻŧāĨ¤
4.Eyes – Chokh – āĻā§āĻ
The human eye is a highly intricate sensory organ, pivotal for perceiving visual information, including light, color, and depth.
āĻŽāĻžāύā§āώā§āϰ āĻā§āĻ āĻāĻāĻāĻŋ āĻ
āϤā§āϝāύā§āϤ āĻāĻāĻŋāϞ āϏāĻāĻŦā§āĻĻāύāĻļā§āϞ āĻ
āĻā§āĻ, āϝāĻž āĻāϞā§, āϰāĻ āĻāĻŦāĻ āĻāĻā§āϰāϤāĻž āϏāĻš āĻāĻžāĻā§āώā§āώ āϤāĻĨā§āϝ āĻāĻĒāϞāĻŦā§āϧāĻŋ āĻāϰāĻžāϰ āĻāύā§āϝ āĻā§āϰā§āϤā§āĻŦāĻĒā§āϰā§āĻŖāĨ¤
Its resemblance to a camera aids in our comprehension of both its structure and functioning.
āĻāĻāĻāĻŋ āĻā§āϝāĻžāĻŽā§āϰāĻžāϰ āϏāĻžāĻĨā§ āĻāϰ āϏāĻžāĻĻā§āĻļā§āϝ āĻāĻāĻŋāϰ āĻāĻ āύ āĻāĻŦāĻ āĻāĻžāϰā§āϝāĻāĻžāϰāĻŋāϤāĻž āĻāĻāϝāĻŧā§āϰāĻ āĻāĻŽāĻžāĻĻā§āϰ āĻŦā§āĻāĻžāϰ āĻā§āώā§āϤā§āϰ⧠āϏāĻšāĻžāϝāĻŧāϤāĻž āĻāϰā§āĨ¤
Let’s explore the intricate anatomy and functions of the human eye, shedding light on how it parallels the operation of a camera.
āĻāϏā§āύ āĻāϰ āĻāĻāĻŋāϞ āĻļāĻžāϰā§āϰāϏā§āĻĨāĻžāύ āĻāĻŦāĻ āĻāĻžāϰā§āϝāĻžāĻŦāϞ⧠āĻ
āύā§āĻŦā§āώāĻŖ āĻāϰāĻŋāĨ¤ āĻŽāĻžāύā§āώā§āϰ āĻā§āĻ, āĻāĻŋāĻāĻžāĻŦā§ āĻāĻāĻŋ āĻāĻāĻāĻŋ āĻā§āϝāĻžāĻŽā§āϰāĻžāϰ āĻ
āĻĒāĻžāϰā§āĻļāύā§āϰ āϏāĻŽāĻžāύā§āϤāϰāĻžāϞāĻāĻžāĻŦā§ āĻāϞā§āĻāĻĒāĻžāϤ āĻāϰā§āĨ¤
5.Heart – hridoy – āĻšā§āĻĻāϝāĻŧ
The heart, though no larger than a clenched fist, serves as the pulsating epicenter of your circulatory system, orchestrating the ceaseless symphony of life as it propels blood through a network of vessels.
āĻšā§ā§āĻĒāĻŋāĻŖā§āĻĄ, āϝāĻĻāĻŋāĻ āĻāĻāĻāĻŋ āĻā§āϞā§āĻā§āĻāĻĄ āĻŽā§āώā§āĻāĻŋāϰ āĻā§āϝāĻŧā§ āĻŦāĻĄāĻŧ āύāϝāĻŧ, āĻāĻĒāύāĻžāϰ āϏāĻāĻŦāĻšāύāϤāύā§āϤā§āϰā§āϰ āϏā§āĻĒāύā§āĻĻāύāĻļā§āϞ āĻā§āύā§āĻĻā§āϰ āĻšāĻŋāϏāĻžāĻŦā§ āĻāĻžāĻ āĻāϰā§, āĻā§āĻŦāύā§āϰ āĻ
āĻŦāĻŋāϰāĻžāĻŽ āϏāĻŋāĻŽā§āĻĢāύāĻŋāĻā§ āĻ
āϰā§āĻā§āϏā§āĻā§āϰā§āĻ āĻāϰ⧠āĻāĻžāϰāĻŖ āĻāĻāĻŋ āϰāĻā§āϤāύāĻžāϞā§āĻā§āϞāĻŋāϰ āĻāĻāĻāĻŋ āύā§āĻāĻāϝāĻŧāĻžāϰā§āĻā§āϰ āĻŽāĻžāϧā§āϝāĻŽā§ āϰāĻā§āϤāĻā§ āĻāĻžāϞāĻŋāϤ āĻāϰā§āĨ¤
Within its muscular confines, it houses a quartet of chambers, meticulously synchronized by the intricate dance of electrical impulses.
āĻāϰ āĻĒā§āĻļā§āĻŦāĻšā§āϞ āϏā§āĻŽāĻžāϰ āĻŽāϧā§āϝā§, āĻāĻāĻŋ āĻāĻāĻāĻŋ āĻāϤā§āώā§āĻā§āĻŖ āĻā§āĻŽā§āĻŦāĻžāϰ āϧāĻžāϰāĻŖ āĻāϰā§, āϝāĻž āĻŦā§āĻĻā§āϝā§āϤāĻŋāĻ āĻāĻŦā§āĻā§āϰ āĻāĻāĻŋāϞ āύā§āϤā§āϝā§āϰ āĻĻā§āĻŦāĻžāϰāĻž āϏāĻžāĻŦāϧāĻžāύāϤāĻžāϰ āϏāĻžāĻĨā§ āϏāĻŋāĻā§āĻā§āϰā§āύāĻžāĻāĻ āĻāϰāĻž āĻšāϝāĻŧāĨ¤
Yet, it is not a solitary conductor; rather, it humbly takes its cues from the grand maestroâthe brain and nervous systemâensuring the harmonious flow of vitality throughout your being.
āϤāĻŦā§āĻ, āĻāĻāĻŋ āĻāĻāĻāĻŋ āύāĻŋāϰā§āĻāύ āĻĒāϰāĻŋāĻŦāĻžāĻšā§ āύāϝāĻŧ; āĻŦāϰāĻ, āĻāĻāĻŋ āύāĻŽā§āϰāĻāĻžāĻŦā§ āĻā§āϰā§āϝāĻžāύā§āĻĄ āĻŽāĻžāϝāĻŧā§āϏā§āĻā§āϰā§-āĻŽāϏā§āϤāĻŋāώā§āĻ āĻāĻŦāĻ āϏā§āύāĻžāϝāĻŧā§āϤāύā§āϤā§āϰā§āϰ āĻāĻžāĻ āĻĨā§āĻā§ āϤāĻžāϰ āĻāĻā§āĻāĻŋāϤ āύā§āϝāĻŧ-āĻāĻĒāύāĻžāϰ āϏāϤā§āϤāĻž āĻā§āĻĄāĻŧā§ āĻā§āĻŦāύā§āĻļāĻā§āϤāĻŋāϰ āϏā§āϰā§āϞāĻž āĻĒā§āϰāĻŦāĻžāĻš āύāĻŋāĻļā§āĻāĻŋāϤ āĻāϰā§āĨ¤
6.Face – Mukh – āĻŽā§āĻ
The enigmatic Muth sediments stand as a geological testament to a remarkable era in Earth’s historyâthe Later Silurian period.
āϰāĻšāϏā§āϝāĻŽāϝāĻŧ āĻŽā§āĻĨ āĻĒāϞāϞāĻā§āϞāĻŋ āĻĒā§āĻĨāĻŋāĻŦā§āϰ āĻāϤāĻŋāĻšāĻžāϏā§āϰ āĻāĻāĻāĻŋ āĻāϞā§āϞā§āĻāϝā§āĻā§āϝ āϝā§āĻā§āϰ āĻā§āϤāĻžāϤā§āϤā§āĻŦāĻŋāĻ āĻĒā§āϰāĻŽāĻžāĻŖ āĻšāĻŋāϏāĻžāĻŦā§ āĻĻāĻžāĻāĻĄāĻŧāĻŋāϝāĻŧā§ āĻāĻā§-āĻĒāϰāĻŦāϰā§āϤ⧠āϏāĻŋāϞā§āϰāĻŋāϝāĻŧāĻžāύ āϏāĻŽāϝāĻŧāĻāĻžāϞāĨ¤
This epoch, characterized by a rare tectonic calm, transformed the vast Tethyan domain, stretching from the enchanting Tanawal in the west to the majestic northern reaches of Nepal, into a mesmerizing canvas of offshore elongate bars and intricate shoal complexes.
āĻāĻ āϝā§āĻāĻāĻŋ, āĻāĻāĻāĻŋ āĻŦāĻŋāϰāϞ āĻā§āĻāĻā§āύāĻŋāĻ āĻļāĻžāύā§āϤ āĻĻā§āĻŦāĻžāϰāĻž āĻāĻŋāĻšā§āύāĻŋāϤ, āĻŦāĻŋāĻļāĻžāϞ āĻā§āĻĨāĻŋāϝāĻŧāĻžāύ āĻĄā§āĻŽā§āĻāύāĻā§ āϰā§āĻĒāĻžāύā§āϤāϰāĻŋāϤ āĻāϰā§āĻā§, āϝāĻž āĻĒāĻļā§āĻāĻŋāĻŽā§ āĻŽā§āĻšāύā§āϝāĻŧ āϤāĻžāύāĻžāĻāϝāĻŧāĻžāϞ āĻĨā§āĻā§ āύā§āĻĒāĻžāϞā§āϰ āϰāĻžāĻāĻā§āϝāĻŧ āĻāϤā§āϤāϰāĻžāĻā§āĻāϞ āĻĒāϰā§āϝāύā§āϤ āĻŦāĻŋāϏā§āϤā§āϤ, āĻ
āĻĢāĻļā§āϰ āĻĒā§āϰāϏāĻžāϰāĻŋāϤ āĻŦāĻžāϰ āĻāĻŦāĻ āĻāĻāĻŋāϞ āĻļā§āϞ āĻāĻŽāĻĒā§āϞā§āĻā§āϏā§āϰ āĻāĻāĻāĻŋ āĻŽāύā§āϤā§āϰāĻŽā§āĻā§āϧ āĻā§āϝāĻžāύāĻāĻžāϏ⧠āĻĒāϰāĻŋāĻŖāϤ āĻšāϝāĻŧā§āĻā§āĨ¤
Here, nature displayed its artistry as it delicately crafted a tapestry of shallow water deposition, an exquisite masterpiece of well-sorted, pristine sands that captured the essence of tranquility amidst geological tumult.
āĻāĻāĻžāύā§, āĻĒā§āϰāĻā§āϤāĻŋ āϤāĻžāϰ āĻļā§āϞā§āĻĒāĻŋāĻāϤāĻž āĻĒā§āϰāĻĻāϰā§āĻļāύ āĻāϰā§āĻāĻŋāϞ āĻāĻžāϰāĻŖ āĻāĻāĻŋ āϏā§āĻā§āώā§āĻŽāĻāĻžāĻŦā§ āĻ
āĻāĻā§āϰ āĻāϞā§āϰ āĻāĻŽāĻžāϰ āĻāĻāĻāĻŋ āĻā§āĻĒā§āϏā§āĻā§āϰāĻŋ āϤā§āϰāĻŋ āĻāϰā§āĻā§, āĻāĻžāϞāĻāĻžāĻŦā§ āϏāĻžāĻāĻžāύā§, āĻāĻĻāĻŋāĻŽ āĻŦāĻžāϞāĻŋāϰ āĻāĻāĻāĻŋ āĻĻā§āϰā§āĻĻāĻžāύā§āϤ āĻŽāĻžāϏā§āĻāĻžāϰāĻĒāĻŋāϏ āϝāĻž āĻā§āϤāĻžāϤā§āϤā§āĻŦāĻŋāĻ āĻā§āϞāĻŽāĻžāϞā§āϰ āĻŽāϧā§āϝ⧠āĻĒā§āϰāĻļāĻžāύā§āϤāĻŋāϰ āϏāĻžāϰāĻžāĻāĻļāĻā§ āϧāĻžāϰāĻŖ āĻāϰā§āĻāĻŋāϞāĨ¤
7.Hand – Haat – āĻšāĻžāϤ
The hand, an extraordinary marvel in the realm of vertebrate anatomy, emerges as a testament to nature’s ingenuity.
āĻšāĻžāϤ, āĻŽā§āϰā§āĻĻāĻŖā§āĻĄā§ āĻļāĻžāϰā§āϰāĻŦā§āϤā§āϤāĻŋāϰ āĻā§āώā§āϤā§āϰ⧠āĻāĻāĻāĻŋ āĻ
āϏāĻžāϧāĻžāϰāĻŖ āĻŦāĻŋāϏā§āĻŽāϝāĻŧ, āĻĒā§āϰāĻā§āϤāĻŋāϰ āĻāĻžāϤā§āϰā§āϝā§āϰ āĻĒā§āϰāĻŽāĻžāĻŖ āĻšāĻŋāϏāĻžāĻŦā§ āĻāĻŦāĻŋāϰā§āĻā§āϤ āĻšāϝāĻŧāĨ¤
Positioned gracefully at the terminus of the forelimb, it embodies a symphony of unparalleled mobility and astonishing flexibility, both in its individual digits and the entirety of its structure.
āĻ
āĻā§āϰāĻāĻžāĻā§āϰ āĻāĻžāϰā§āĻŽāĻŋāύāĻžāϏ⧠āϏā§āύā§āĻĻāϰāĻāĻžāĻŦā§ āĻ
āĻŦāϏā§āĻĨāĻžāύ āĻāϰā§, āĻāĻāĻŋ āϏā§āĻŦāϤāύā§āϤā§āϰ āϏāĻāĻā§āϝāĻž āĻāĻŦāĻ āĻāϰ āĻāĻžāĻ āĻžāĻŽā§āϰ āϏāĻŽā§āĻĒā§āϰā§āĻŖāϤāĻž āĻāĻāϝāĻŧ āĻā§āώā§āϤā§āϰā§āĻ āĻ
āϤā§āϞāύā§āϝāĻŧ āĻāϤāĻŋāĻļā§āϞāϤāĻž āĻāĻŦāĻ āĻāĻļā§āĻāϰā§āϝāĻāύāĻ āύāĻŽāύā§āϝāĻŧāϤāĻžāϰ āĻāĻāĻāĻŋ āϏāĻŋāĻŽā§āĻĢāύāĻŋāĻā§ āĻŽā§āϰā§āϤ āĻāϰā§āĨ¤
This intricate wonderland of dexterity is meticulously composed of the wrist joint, where agility takes root, the carpal bones, providing the foundation for grace, the metacarpal bones, bridging the gap between strength and grace, and the phalanges, each a testament to precision in design.
āύāĻŋāĻĒā§āĻŖāϤāĻžāϰ āĻāĻ āĻāĻāĻŋāϞ āĻāĻļā§āĻāϰā§āϝāĻā§āĻŽāĻŋāĻāĻŋ āĻāĻŦā§āĻāĻŋāϰ āĻāϝāĻŧā§āύā§āĻā§āϰ āϏāĻžāĻĨā§ āϏā§āĻā§āώā§āĻŽāĻāĻžāĻŦā§ āĻāĻ āĻŋāϤ, āϝā§āĻāĻžāύ⧠āϤāϤā§āĻĒāϰāϤāĻž āĻļāĻŋāĻāĻĄāĻŧ āĻĻā§āϝāĻŧ, āĻāĻžāϰā§āĻĒāĻžāϞ āĻšāĻžāĻĄāĻŧ, āĻ
āύā§āĻā§āϰāĻšā§āϰ āĻāĻŋāϤā§āϤāĻŋ āĻĒā§āϰāĻĻāĻžāύ āĻāϰā§, āĻŽā§āĻāĻžāĻāĻžāϰāĻĒāĻžāϞ āĻšāĻžāĻĄāĻŧ, āĻļāĻā§āϤāĻŋ āĻāĻŦāĻ āĻāϰā§āĻŖāĻžāϰ āĻŽāϧā§āϝ⧠āĻŦā§āϝāĻŦāϧāĻžāύ āĻĒā§āϰāĻŖ āĻāϰā§, āĻāĻŦāĻ āĻĢā§āϝāĻžāϞāĻžāĻā§āĻāϏ, āĻĒā§āϰāϤāĻŋāĻāĻŋāϤ⧠āύāĻŋāϰā§āĻā§āϞāϤāĻžāϰ āĻāĻāĻāĻŋ āĻĒā§āϰāĻŽāĻžāĻŖāĨ¤
In the grand orchestra of life, the hand is the virtuoso, orchestrating a symphony of movements that define the unique capabilities of its possessor.
āύāĻāĻļāĻž āĻā§āĻŦāύā§āϰ āĻā§āϰā§āϝāĻžāύā§āĻĄ āĻ
āϰā§āĻā§āϏā§āĻā§āϰāĻžāϝāĻŧ, āĻšāĻžāϤāĻāĻŋ āĻšāϞ āĻā§āĻŖā§āĻāύ, āϝāĻž āϤāĻžāϰ āĻ
āϧāĻŋāĻāĻžāϰā§āϰ āĻ
āύāύā§āϝ āĻā§āώāĻŽāϤāĻžāĻā§ āϏāĻāĻā§āĻāĻžāϝāĻŧāĻŋāϤ āĻāϰ⧠āĻāĻŽāύ āύāĻĄāĻŧāĻžāĻāĻĄāĻŧāĻžāϰ āϏāĻŋāĻŽā§āĻĢāύāĻŋ āĻ
āϰā§āĻā§āϏā§āĻā§āϰā§āĻ āĻāϰā§āĨ¤
8.Foot – Pa – āĻĒāĻž
The foot, a true marvel of biomechanical engineering within the human body, is an intricate symphony of complexity and precision.
āĻĒāĻž, āĻŽāĻžāύāĻŦāĻĻā§āĻšā§āϰ āĻŽāϧā§āϝ⧠āĻŦāĻžāϝāĻŧā§āĻŽā§āĻāĻžāύāĻŋāĻāĻžāϞ āĻāĻā§āĻāĻŋāύāĻŋāϝāĻŧāĻžāϰāĻŋāĻāϝāĻŧā§āϰ āĻāĻāĻāĻŋ āϏāϤā§āϝāĻŋāĻāĻžāϰā§āϰ āĻŦāĻŋāϏā§āĻŽāϝāĻŧ, āĻāĻāĻŋāϞāϤāĻž āĻāĻŦāĻ āύāĻŋāϰā§āĻā§āϞāϤāĻžāϰ āĻāĻāĻāĻŋ āĻāĻāĻŋāϞ āϏāĻŋāĻŽā§āĻĢāύāĻŋāĨ¤
Comprising an astounding ensemble of 33 joints, 26 meticulously arranged bones, and a harmonious interplay of over a hundred muscles, tendons, and ligaments, it stands as a testament to nature’s artistry in motion.
33āĻāĻŋ āĻāϝāĻŧā§āύā§āĻā§āϰ āĻāĻāĻāĻŋ āĻāĻŽāĻāĻĒā§āϰāĻĻ āϏāĻāĻŽāĻŋāĻļā§āϰāĻŖ, 26āĻāĻŋ āϏāĻžāĻŦāϧāĻžāύ⧠āϏāĻžāĻāĻžāύ⧠āĻšāĻžāĻĄāĻŧ āĻāĻŦāĻ āĻāĻāĻļā§āϰāĻ āĻŦā§āĻļāĻŋ āĻĒā§āĻļā§, āĻā§āύā§āĻĄāύ āĻāĻŦāĻ āϞāĻŋāĻāĻžāĻŽā§āύā§āĻā§āϰ āĻāĻāĻāĻŋ āϏā§āϰā§āϞāĻž āĻāύā§āĻāĻžāϰāĻĒā§āϞ⧠āϏāĻš, āĻāĻāĻŋ āĻāϤāĻŋāϤ⧠āĻĒā§āϰāĻā§āϤāĻŋāϰ āĻļā§āϞā§āĻĒāĻŋāĻāϤāĻžāϰ āĻĒā§āϰāĻŽāĻžāĻŖ āĻšāĻŋāϏāĻžāĻŦā§ āĻĻāĻžāĻāĻĄāĻŧāĻŋāϝāĻŧā§āĻā§āĨ¤
This remarkable assembly is not merely a passive foundation but a dynamic masterpiece, meticulously designed to bear the weight of existence, to usher us through the world with graceful locomotion, and to seamlessly transmit the force of our every step into the canvas of our earthly journey.
āĻāĻ āĻ
āϏāĻžāϧāĻžāϰāĻŖ āϏāĻŽāĻžāĻŦā§āĻļāĻāĻŋ āύāĻŋāĻāĻ āĻāĻāĻāĻŋ āύāĻŋāώā§āĻā§āϰāĻŋāϝāĻŧ āĻāĻŋāϤā§āϤāĻŋ āύāϝāĻŧ āĻŦāϰāĻ āĻāĻāĻāĻŋ āĻāϤāĻŋāĻļā§āϞ āĻŽāĻžāϏā§āĻāĻžāϰāĻĒāĻŋāϏ, āϝāĻž āĻ
āϏā§āϤāĻŋāϤā§āĻŦā§āϰ āĻāĻžāϰ āĻŦāĻšāύ āĻāϰāĻžāϰ āĻāύā§āϝ, āϏā§āύā§āĻĻāϰ āĻāϤāĻŋāϰ āϏāĻžāĻĨā§ āĻāĻŽāĻžāĻĻā§āϰāĻā§ āĻŦāĻŋāĻļā§āĻŦā§āϰ āĻŽāϧā§āϝ⧠āύāĻŋāϝāĻŧā§ āϝāĻžāĻāϝāĻŧāĻžāϰ āĻāύā§āϝ āĻāĻŦāĻ āĻāĻŽāĻžāĻĻā§āϰ āĻĒāĻžāϰā§āĻĨāĻŋāĻŦ āϝāĻžāϤā§āϰāĻžāϰ āĻā§āϝāĻžāύāĻāĻžāϏ⧠āĻāĻŽāĻžāĻĻā§āϰ āĻĒā§āϰāϤāĻŋāĻāĻŋ āĻĒāĻĻāĻā§āώā§āĻĒā§āϰ āĻļāĻā§āϤāĻŋāĻā§ āύāĻŋāϰā§āĻŦāĻŋāĻā§āύ⧠āϏāĻā§āĻāĻžāϰāĻŋāϤ āĻāϰāĻžāϰ āĻāύā§āϝ āϏāϤāϰā§āĻāϤāĻžāϰ āϏāĻžāĻĨā§ āĻĄāĻŋāĻāĻžāĻāύ āĻāϰāĻž āĻšāϝāĻŧā§āĻā§āĨ¤
In the grand ballet of human anatomy, the foot is the choreographer, orchestrating the poetry of movement with each elegantly choreographed step.
āĻŽāĻžāύāĻŦ āĻļāĻžāϰā§āϰāϏā§āĻĨāĻžāύā§āϰ āĻā§āϰā§āϝāĻžāύā§āĻĄ āĻŦā§āϝāĻžāϞā§, āĻĒāĻž āĻšāϞ āĻā§āϰāĻŋāĻāĻā§āϰāĻžāĻĢāĻžāϰ, āĻĒā§āϰāϤāĻŋāĻāĻŋ āĻŽāĻžāϰā§āĻāĻŋāϤāĻāĻžāĻŦā§ āĻā§āϰāĻŋāĻāĻā§āϰāĻžāĻĢ āĻāϰāĻž āĻĒāĻĻāĻā§āώā§āĻĒā§āϰ āϏāĻžāĻĨā§ āĻāύā§āĻĻā§āϞāύā§āϰ āĻāĻŦāĻŋāϤāĻžāĻā§ āĻ
āϰā§āĻā§āϏā§āĻā§āϰā§āĻ āĻāϰā§āĨ¤
Bengali is a language that can be spoken in various ways depending on the location.
āĻŦāĻžāĻāϞāĻž āĻāĻŽāύ āĻāĻāĻāĻŋ āĻāĻžāώāĻž āϝāĻž āĻ āĻŦāϏā§āĻĨāĻžāύā§āϰ āĻāĻĒāϰ āύāĻŋāϰā§āĻāϰ āĻāϰ⧠āĻŦāĻŋāĻāĻŋāύā§āύ āĻāĻĒāĻžāϝāĻŧā§ āĻŦāϞāĻž āϝāĻžāϝāĻŧāĨ¤
Bangla emon akti bhasha ja obosthaner upor nirvor kore bibhirnno upaye bola jaaiāĨ¤
It's not uncommon to hear the same sentence pronounced differently in different places.
āĻāĻāĻ āĻŦāĻžāĻā§āϝ āĻŦāĻŋāĻāĻŋāύā§āύ āĻāĻžāϝāĻŧāĻāĻžāϝāĻŧ āĻāĻŋāύā§āύāĻāĻžāĻŦā§ āĻāĻā§āĻāĻžāϰāĻŋāϤ āĻšāĻāϝāĻŧāĻž āĻ āϏā§āĻŦāĻžāĻāĻžāĻŦāĻŋāĻ āύāϝāĻŧāĨ¤
Aki bakko bibhirnno jaigai bhirnnobhabe uchaarito howa osabhabik noyāĨ¤
Moreover, a word in Bengali can have two different pronunciations.
āϤāĻžāĻāĻžāĻĄāĻŧāĻž āĻŦāĻžāĻāϞāĻžāϝāĻŧ āĻāĻāĻāĻŋ āĻļāĻŦā§āĻĻā§āϰ āĻĻā§āĻāĻŋ āĻāĻŋāύā§āύ āĻāĻā§āĻāĻžāϰāĻŖ āĻĨāĻžāĻāϤ⧠āĻĒāĻžāϰā§āĨ¤
Tachara banglai ekti sobder duti bhirnno uchaaron thakte pareāĨ¤
āϝā§āĻŽāύ- Jemon- ( for example )
āĻāĻŽāĻŋ āĻāϤāĻāĻžāϞ āĻāĻŋāϝāĻŧā§āĻāĻŋāϞāĻžāĻŽ, ( Ami Gotokal Giyechilam )
āĻāĻŽāĻŋ āĻāĻžāϞāĻā§ āĻāĻŋāϝāĻŧā§āĻāĻŋāϞāĻžāĻŽ, ( Ami kalke Giyechilam )
This sentence is called in English ( I want yesterday )
The sentance are the same but the sentace are different. The same word can be said in two ways.
āĻŦāĻžāĻā§āϝ āĻāĻāĻ āĻāĻŋāύā§āϤ⧠āĻŦāĻžāĻā§āϝ āĻāĻŋāύā§āύāĨ¤ āĻāĻāĻ āĻāĻĨāĻž āĻĻā§āĻāĻāĻžāĻŦā§ āĻŦāϞāĻž āϝāĻžāϝāĻŧāĨ¤
Bakko eki kintu bakko bhirnnoāĨ¤ aki kotha dubhabe bola jaiāĨ¤
Our team Learn Bengali Now has written these posts in their own language,
āĻāĻŽāĻžāĻĻā§āϰ āĻāĻŋāĻŽ âāĻŦāĻžāĻāϞāĻž āĻļāĻŋāĻā§āύ āĻāĻāύâ āĻāĻ āĻĒā§āϏā§āĻāĻā§āϞāĻŋ āϤāĻžāĻĻā§āϰ āύāĻŋāĻāϏā§āĻŦ āĻāĻžāώāĻžāϝāĻŧ āϞāĻŋāĻā§āĻā§āύ,
amader team âBangla Sikhun Akhonâ ai postguli tader nijoshro bhasai likhechen,
There may be some mistakes in this because Bengali language can be spoken in many ways.
āĻāϤ⧠āĻāĻŋāĻā§ āĻā§āϞ āĻĨāĻžāĻāϤ⧠āĻĒāĻžāϰ⧠āĻāĻžāϰāĻŖ āĻŦāĻžāĻāϞāĻž āĻāĻžāώāĻž āύāĻžāύāĻžāĻāĻžāĻŦā§ āĻŦāϞāĻž āϝāĻžāϝāĻŧāĨ¤
ate kichu bhul thakte pare karon bangla bhasha nananbhabe bola jaiāĨ¤