learn bengali now human body parts 123

Human Body Part Names in Bengali

1. Ear – kan – āĻ•āĻžāĻ¨

The ear, a multifunctional organ in mammals,
āĻ•āĻžāĻ¨, āĻ¸ā§āĻ¤āĻ¨ā§āĻ¯āĻĒāĻžāĻ¯āĻŧā§€ āĻĒā§āĻ°āĻžāĻŖā§€āĻ° āĻāĻ•āĻŸāĻŋ āĻŦāĻšā§āĻŽā§āĻ–ā§€ āĻ…āĻ™ā§āĻ—,

facilitates hearing and body balance through the vestibular system.
āĻ­ā§‡āĻ¸ā§āĻŸāĻŋāĻŦā§āĻ˛āĻžāĻ° āĻ¸āĻŋāĻ¸ā§āĻŸā§‡āĻŽā§‡āĻ° āĻŽāĻžāĻ§ā§āĻ¯āĻŽā§‡ āĻļā§āĻ°āĻŦāĻŖāĻļāĻ•ā§āĻ¤āĻŋ āĻāĻŦāĻ‚ āĻļāĻ°ā§€āĻ°ā§‡āĻ° āĻ­āĻžāĻ°āĻ¸āĻžāĻŽā§āĻ¯ āĻŦāĻœāĻžāĻ¯āĻŧ āĻ°āĻžāĻ–ā§‡āĨ¤

It comprises three main sections: the outer ear,
āĻāĻŸāĻŋ āĻ¤āĻŋāĻ¨āĻŸāĻŋ āĻĒā§āĻ°āĻ§āĻžāĻ¨ āĻ…āĻ‚āĻļ āĻ¨āĻŋāĻ¯āĻŧā§‡ āĻ—āĻ āĻŋāĻ¤: āĻŦāĻžāĻ‡āĻ°ā§‡āĻ° āĻ•āĻžāĻ¨,

which includes the pinna and ear canal; the middle ear,
āĻ¯āĻžāĻ° āĻŽāĻ§ā§āĻ¯ā§‡ āĻ°āĻ¯āĻŧā§‡āĻ›ā§‡ āĻĒāĻŋāĻ¨āĻž āĻāĻŦāĻ‚ āĻ•āĻžāĻ¨ āĻ–āĻžāĻ˛; āĻŽāĻ§ā§āĻ¯ āĻ•āĻžāĻ¨,

responsible for sound transmission; and the inner ear,
āĻļāĻŦā§āĻĻ āĻ¸āĻ‚āĻ•ā§āĻ°āĻŽāĻŖā§‡āĻ° āĻœāĻ¨ā§āĻ¯ āĻĻāĻžāĻ¯āĻŧā§€; āĻāĻŦāĻ‚ āĻ­āĻŋāĻ¤āĻ°ā§‡āĻ° āĻ•āĻžāĻ¨,

critical for both hearing and balance.
āĻļā§āĻ°āĻŦāĻŖāĻļāĻ•ā§āĻ¤āĻŋ āĻāĻŦāĻ‚ āĻ­āĻžāĻ°āĻ¸āĻžāĻŽā§āĻ¯ āĻ‰āĻ­āĻ¯āĻŧā§‡āĻ° āĻœāĻ¨ā§āĻ¯āĻ‡ āĻ—ā§āĻ°ā§āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖāĨ¤


2.Neck – Ghar – āĻ˜āĻžāĻĄāĻŧNeck - Ghar - āĻ˜āĻžāĻĄāĻŧ

The neck, a complex assembly of bones, muscles, nerves, blood vessels, lymphatics, and connective tissues, serves as the bridge between the head and torso.
āĻ˜āĻžāĻĄāĻŧ, āĻšāĻžāĻĄāĻŧ, āĻĒā§‡āĻļā§€, āĻ¸ā§āĻ¨āĻžāĻ¯āĻŧā§, āĻ°āĻ•ā§āĻ¤āĻ¨āĻžāĻ˛ā§€, āĻ˛āĻŋāĻŽā§āĻĢā§āĻ¯āĻžāĻŸāĻŋāĻ•ā§āĻ¸ āĻāĻŦāĻ‚ āĻ¸āĻ‚āĻ¯ā§‹āĻ—āĻ•āĻžāĻ°ā§€ āĻŸāĻŋāĻ¸ā§āĻ¯ā§āĻ—ā§āĻ˛āĻŋāĻ° āĻāĻ•āĻŸāĻŋ āĻœāĻŸāĻŋāĻ˛ āĻ¸āĻŽāĻžāĻŦā§‡āĻļ, āĻŽāĻžāĻĨāĻž āĻāĻŦāĻ‚ āĻ§āĻĄāĻŧā§‡āĻ° āĻŽāĻ§ā§āĻ¯ā§‡ āĻ¸ā§‡āĻ¤ā§ āĻšāĻŋāĻ¸āĻžāĻŦā§‡ āĻ•āĻžāĻœ āĻ•āĻ°ā§‡āĨ¤

Within the neck, the cervical spine represents the bony component.
āĻ˜āĻžāĻĄāĻŧā§‡āĻ° āĻŽāĻ§ā§āĻ¯ā§‡, āĻ¸āĻžāĻ°ā§āĻ­āĻŋāĻ•āĻžāĻ˛ āĻŽā§‡āĻ°ā§āĻĻāĻŖā§āĻĄ āĻšāĻžāĻĄāĻŧā§‡āĻ° āĻ‰āĻĒāĻžāĻĻāĻžāĻ¨āĻ•ā§‡ āĻĒā§āĻ°āĻ¤āĻŋāĻ¨āĻŋāĻ§āĻŋāĻ¤ā§āĻŦ āĻ•āĻ°ā§‡āĨ¤


3.Lip – Thot – āĻ ā§‹āĻāĻŸ

conveying emotions, enabling speech, providing sensation, aiding in chewing, contributing to physical attraction, and facilitating intimacy.
āĻ ā§‹āĻāĻŸ, āĻŽāĻžāĻ¨ā§āĻˇā§‡āĻ° āĻŽā§āĻ–ā§‡āĻ° āĻ¸āĻžāĻĨā§‡ āĻ…āĻŦāĻŋāĻšā§āĻ›ā§‡āĻĻā§āĻ¯, āĻ†āĻŦā§‡āĻ— āĻĒā§āĻ°āĻ•āĻžāĻļ āĻ•āĻ°āĻž, āĻŦāĻ•ā§āĻ¤ā§ƒāĻ¤āĻž āĻ¸āĻ•ā§āĻˇāĻŽ āĻ•āĻ°āĻž, āĻ¸āĻ‚āĻŦā§‡āĻĻāĻ¨ āĻĒā§āĻ°āĻĻāĻžāĻ¨, āĻšāĻŋāĻŦāĻžāĻ¨ā§‹āĻ¤ā§‡ āĻ¸āĻšāĻžāĻ¯āĻŧāĻ¤āĻž āĻ•āĻ°āĻž, āĻļāĻžāĻ°ā§€āĻ°āĻŋāĻ• āĻ†āĻ•āĻ°ā§āĻˇāĻŖā§‡ āĻ…āĻŦāĻĻāĻžāĻ¨ āĻ°āĻžāĻ–āĻž āĻāĻŦāĻ‚ āĻ˜āĻ¨āĻŋāĻˇā§āĻ āĻ¤āĻžāĻ° āĻ¸ā§āĻŦāĻŋāĻ§āĻž āĻ¸āĻš āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āĻ¨ āĻ—ā§āĻ°ā§āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ āĻ•āĻžāĻœ āĻ•āĻ°ā§‡āĨ¤

They consist of the upper lip, known as ‘labium superius oris,’ and the lower lip, referred to as ‘labium inferius oris.
āĻ¤āĻžāĻ°āĻž āĻ‰āĻĒāĻ°ā§‡āĻ° āĻ ā§‹āĻāĻŸ āĻ¨āĻŋāĻ¯āĻŧā§‡ āĻ—āĻ āĻŋāĻ¤, āĻ¯āĻž ‘āĻ˛ā§āĻ¯āĻžāĻŦāĻŋāĻ¯āĻŧāĻžāĻŽ āĻ¸ā§āĻĒāĻžāĻ°āĻŋāĻ¯āĻŧāĻžāĻ¸ āĻ“āĻ°āĻŋāĻ¸’ āĻ¨āĻžāĻŽā§‡ āĻĒāĻ°āĻŋāĻšāĻŋāĻ¤ āĻāĻŦāĻ‚ āĻ¨ā§€āĻšā§‡āĻ° āĻ ā§‹āĻāĻŸāĻ•ā§‡ ‘āĻ˛ā§āĻ¯āĻžāĻŦāĻŋāĻ¯āĻŧāĻžāĻŽ āĻ‡āĻ¨āĻĢā§‡āĻ°āĻŋāĻ¯āĻŧāĻžāĻ¸ āĻ“āĻ°āĻŋāĻ¸’ āĻŦāĻ˛āĻž āĻšāĻ¯āĻŧāĨ¤


4.Eyes – Chokh – āĻšā§‹āĻ–

The human eye is a highly intricate sensory organ, pivotal for perceiving visual information, including light, color, and depth.
āĻŽāĻžāĻ¨ā§āĻˇā§‡āĻ° āĻšā§‹āĻ– āĻāĻ•āĻŸāĻŋ āĻ…āĻ¤ā§āĻ¯āĻ¨ā§āĻ¤ āĻœāĻŸāĻŋāĻ˛ āĻ¸āĻ‚āĻŦā§‡āĻĻāĻ¨āĻļā§€āĻ˛ āĻ…āĻ™ā§āĻ—, āĻ¯āĻž āĻ†āĻ˛ā§‹, āĻ°āĻ™ āĻāĻŦāĻ‚ āĻ—āĻ­ā§€āĻ°āĻ¤āĻž āĻ¸āĻš āĻšāĻžāĻ•ā§āĻˇā§āĻˇ āĻ¤āĻĨā§āĻ¯ āĻ‰āĻĒāĻ˛āĻŦā§āĻ§āĻŋ āĻ•āĻ°āĻžāĻ° āĻœāĻ¨ā§āĻ¯ āĻ—ā§āĻ°ā§āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖāĨ¤

Its resemblance to a camera aids in our comprehension of both its structure and functioning.
āĻāĻ•āĻŸāĻŋ āĻ•ā§āĻ¯āĻžāĻŽā§‡āĻ°āĻžāĻ° āĻ¸āĻžāĻĨā§‡ āĻāĻ° āĻ¸āĻžāĻĻā§ƒāĻļā§āĻ¯ āĻāĻŸāĻŋāĻ° āĻ—āĻ āĻ¨ āĻāĻŦāĻ‚ āĻ•āĻžāĻ°ā§āĻ¯āĻ•āĻžāĻ°āĻŋāĻ¤āĻž āĻ‰āĻ­āĻ¯āĻŧā§‡āĻ°āĻ‡ āĻ†āĻŽāĻžāĻĻā§‡āĻ° āĻŦā§‹āĻāĻžāĻ° āĻ•ā§āĻˇā§‡āĻ¤ā§āĻ°ā§‡ āĻ¸āĻšāĻžāĻ¯āĻŧāĻ¤āĻž āĻ•āĻ°ā§‡āĨ¤

Let’s explore the intricate anatomy and functions of the human eye, shedding light on how it parallels the operation of a camera.
āĻ†āĻ¸ā§āĻ¨ āĻāĻ° āĻœāĻŸāĻŋāĻ˛ āĻļāĻžāĻ°ā§€āĻ°āĻ¸ā§āĻĨāĻžāĻ¨ āĻāĻŦāĻ‚ āĻ•āĻžāĻ°ā§āĻ¯āĻžāĻŦāĻ˛ā§€ āĻ…āĻ¨ā§āĻŦā§‡āĻˇāĻŖ āĻ•āĻ°āĻŋāĨ¤ āĻŽāĻžāĻ¨ā§āĻˇā§‡āĻ° āĻšā§‹āĻ–, āĻ•āĻŋāĻ­āĻžāĻŦā§‡ āĻāĻŸāĻŋ āĻāĻ•āĻŸāĻŋ āĻ•ā§āĻ¯āĻžāĻŽā§‡āĻ°āĻžāĻ° āĻ…āĻĒāĻžāĻ°ā§‡āĻļāĻ¨ā§‡āĻ° āĻ¸āĻŽāĻžāĻ¨ā§āĻ¤āĻ°āĻžāĻ˛āĻ­āĻžāĻŦā§‡ āĻ†āĻ˛ā§‹āĻ•āĻĒāĻžāĻ¤ āĻ•āĻ°ā§‡āĨ¤


5.Heart – hridoy – āĻšā§ƒāĻĻāĻ¯āĻŧ

The heart, though no larger than a clenched fist, serves as the pulsating epicenter of your circulatory system, orchestrating the ceaseless symphony of life as it propels blood through a network of vessels.
āĻšā§ƒā§ŽāĻĒāĻŋāĻŖā§āĻĄ, āĻ¯āĻĻāĻŋāĻ“ āĻāĻ•āĻŸāĻŋ āĻ•ā§āĻ˛ā§‡āĻžā§āĻšāĻĄ āĻŽā§āĻˇā§āĻŸāĻŋāĻ° āĻšā§‡āĻ¯āĻŧā§‡ āĻŦāĻĄāĻŧ āĻ¨āĻ¯āĻŧ, āĻ†āĻĒāĻ¨āĻžāĻ° āĻ¸āĻ‚āĻŦāĻšāĻ¨āĻ¤āĻ¨ā§āĻ¤ā§āĻ°ā§‡āĻ° āĻ¸ā§āĻĒāĻ¨ā§āĻĻāĻ¨āĻļā§€āĻ˛ āĻ•ā§‡āĻ¨ā§āĻĻā§āĻ° āĻšāĻŋāĻ¸āĻžāĻŦā§‡ āĻ•āĻžāĻœ āĻ•āĻ°ā§‡, āĻœā§€āĻŦāĻ¨ā§‡āĻ° āĻ…āĻŦāĻŋāĻ°āĻžāĻŽ āĻ¸āĻŋāĻŽā§āĻĢāĻ¨āĻŋāĻ•ā§‡ āĻ…āĻ°ā§āĻ•ā§‡āĻ¸ā§āĻŸā§āĻ°ā§‡āĻŸ āĻ•āĻ°ā§‡ āĻ•āĻžāĻ°āĻŖ āĻāĻŸāĻŋ āĻ°āĻ•ā§āĻ¤āĻ¨āĻžāĻ˛ā§€āĻ—ā§āĻ˛āĻŋāĻ° āĻāĻ•āĻŸāĻŋ āĻ¨ā§‡āĻŸāĻ“āĻ¯āĻŧāĻžāĻ°ā§āĻ•ā§‡āĻ° āĻŽāĻžāĻ§ā§āĻ¯āĻŽā§‡ āĻ°āĻ•ā§āĻ¤āĻ•ā§‡ āĻšāĻžāĻ˛āĻŋāĻ¤ āĻ•āĻ°ā§‡āĨ¤

Within its muscular confines, it houses a quartet of chambers, meticulously synchronized by the intricate dance of electrical impulses.
āĻāĻ° āĻĒā§‡āĻļā§€āĻŦāĻšā§āĻ˛ āĻ¸ā§€āĻŽāĻžāĻ° āĻŽāĻ§ā§āĻ¯ā§‡, āĻāĻŸāĻŋ āĻāĻ•āĻŸāĻŋ āĻšāĻ¤ā§āĻˇā§āĻ•ā§‹āĻŖ āĻšā§‡āĻŽā§āĻŦāĻžāĻ° āĻ§āĻžāĻ°āĻŖ āĻ•āĻ°ā§‡, āĻ¯āĻž āĻŦā§ˆāĻĻā§āĻ¯ā§āĻ¤āĻŋāĻ• āĻ†āĻŦā§‡āĻ—ā§‡āĻ° āĻœāĻŸāĻŋāĻ˛ āĻ¨ā§ƒāĻ¤ā§āĻ¯ā§‡āĻ° āĻĻā§āĻŦāĻžāĻ°āĻž āĻ¸āĻžāĻŦāĻ§āĻžāĻ¨āĻ¤āĻžāĻ° āĻ¸āĻžāĻĨā§‡ āĻ¸āĻŋāĻ™ā§āĻ•ā§āĻ°ā§‹āĻ¨āĻžāĻ‡āĻœ āĻ•āĻ°āĻž āĻšāĻ¯āĻŧāĨ¤

Yet, it is not a solitary conductor; rather, it humbly takes its cues from the grand maestro—the brain and nervous system—ensuring the harmonious flow of vitality throughout your being.
āĻ¤āĻŦā§āĻ“, āĻāĻŸāĻŋ āĻāĻ•āĻŸāĻŋ āĻ¨āĻŋāĻ°ā§āĻœāĻ¨ āĻĒāĻ°āĻŋāĻŦāĻžāĻšā§€ āĻ¨āĻ¯āĻŧ; āĻŦāĻ°āĻ‚, āĻāĻŸāĻŋ āĻ¨āĻŽā§āĻ°āĻ­āĻžāĻŦā§‡ āĻ—ā§āĻ°ā§āĻ¯āĻžāĻ¨ā§āĻĄ āĻŽāĻžāĻ¯āĻŧā§‡āĻ¸ā§āĻŸā§āĻ°ā§‹-āĻŽāĻ¸ā§āĻ¤āĻŋāĻˇā§āĻ• āĻāĻŦāĻ‚ āĻ¸ā§āĻ¨āĻžāĻ¯āĻŧā§āĻ¤āĻ¨ā§āĻ¤ā§āĻ°ā§‡āĻ° āĻ•āĻžāĻ› āĻĨā§‡āĻ•ā§‡ āĻ¤āĻžāĻ° āĻ‡āĻ™ā§āĻ—āĻŋāĻ¤ āĻ¨ā§‡āĻ¯āĻŧ-āĻ†āĻĒāĻ¨āĻžāĻ° āĻ¸āĻ¤ā§āĻ¤āĻž āĻœā§āĻĄāĻŧā§‡ āĻœā§€āĻŦāĻ¨ā§€āĻļāĻ•ā§āĻ¤āĻŋāĻ° āĻ¸ā§āĻ°ā§‡āĻ˛āĻž āĻĒā§āĻ°āĻŦāĻžāĻš āĻ¨āĻŋāĻļā§āĻšāĻŋāĻ¤ āĻ•āĻ°ā§‡āĨ¤


6.Face – Mukh – āĻŽā§āĻ–

The enigmatic Muth sediments stand as a geological testament to a remarkable era in Earth’s history—the Later Silurian period.
āĻ°āĻšāĻ¸ā§āĻ¯āĻŽāĻ¯āĻŧ āĻŽā§āĻĨ āĻĒāĻ˛āĻ˛āĻ—ā§āĻ˛āĻŋ āĻĒā§ƒāĻĨāĻŋāĻŦā§€āĻ° āĻ‡āĻ¤āĻŋāĻšāĻžāĻ¸ā§‡āĻ° āĻāĻ•āĻŸāĻŋ āĻ‰āĻ˛ā§āĻ˛ā§‡āĻ–āĻ¯ā§‹āĻ—ā§āĻ¯ āĻ¯ā§āĻ—ā§‡āĻ° āĻ­ā§‚āĻ¤āĻžāĻ¤ā§āĻ¤ā§āĻŦāĻŋāĻ• āĻĒā§āĻ°āĻŽāĻžāĻŖ āĻšāĻŋāĻ¸āĻžāĻŦā§‡ āĻĻāĻžāĻāĻĄāĻŧāĻŋāĻ¯āĻŧā§‡ āĻ†āĻ›ā§‡-āĻĒāĻ°āĻŦāĻ°ā§āĻ¤ā§€ āĻ¸āĻŋāĻ˛ā§āĻ°āĻŋāĻ¯āĻŧāĻžāĻ¨ āĻ¸āĻŽāĻ¯āĻŧāĻ•āĻžāĻ˛āĨ¤

This epoch, characterized by a rare tectonic calm, transformed the vast Tethyan domain, stretching from the enchanting Tanawal in the west to the majestic northern reaches of Nepal, into a mesmerizing canvas of offshore elongate bars and intricate shoal complexes.
āĻāĻ‡ āĻ¯ā§āĻ—āĻŸāĻŋ, āĻāĻ•āĻŸāĻŋ āĻŦāĻŋāĻ°āĻ˛ āĻŸā§‡āĻ•āĻŸā§‹āĻ¨āĻŋāĻ• āĻļāĻžāĻ¨ā§āĻ¤ āĻĻā§āĻŦāĻžāĻ°āĻž āĻšāĻŋāĻšā§āĻ¨āĻŋāĻ¤, āĻŦāĻŋāĻļāĻžāĻ˛ āĻŸā§‡āĻĨāĻŋāĻ¯āĻŧāĻžāĻ¨ āĻĄā§‹āĻŽā§‡āĻ‡āĻ¨āĻ•ā§‡ āĻ°ā§‚āĻĒāĻžāĻ¨ā§āĻ¤āĻ°āĻŋāĻ¤ āĻ•āĻ°ā§‡āĻ›ā§‡, āĻ¯āĻž āĻĒāĻļā§āĻšāĻŋāĻŽā§‡ āĻŽā§‹āĻšāĻ¨ā§€āĻ¯āĻŧ āĻ¤āĻžāĻ¨āĻžāĻ“āĻ¯āĻŧāĻžāĻ˛ āĻĨā§‡āĻ•ā§‡ āĻ¨ā§‡āĻĒāĻžāĻ˛ā§‡āĻ° āĻ°āĻžāĻœāĻ•ā§€āĻ¯āĻŧ āĻ‰āĻ¤ā§āĻ¤āĻ°āĻžāĻžā§āĻšāĻ˛ āĻĒāĻ°ā§āĻ¯āĻ¨ā§āĻ¤ āĻŦāĻŋāĻ¸ā§āĻ¤ā§ƒāĻ¤, āĻ…āĻĢāĻļā§‹āĻ° āĻĒā§āĻ°āĻ¸āĻžāĻ°āĻŋāĻ¤ āĻŦāĻžāĻ° āĻāĻŦāĻ‚ āĻœāĻŸāĻŋāĻ˛ āĻļā§‹āĻ˛ āĻ•āĻŽāĻĒā§āĻ˛ā§‡āĻ•ā§āĻ¸ā§‡āĻ° āĻāĻ•āĻŸāĻŋ āĻŽāĻ¨ā§āĻ¤ā§āĻ°āĻŽā§āĻ—ā§āĻ§ āĻ•ā§āĻ¯āĻžāĻ¨āĻ­āĻžāĻ¸ā§‡ āĻĒāĻ°āĻŋāĻŖāĻ¤ āĻšāĻ¯āĻŧā§‡āĻ›ā§‡āĨ¤

Here, nature displayed its artistry as it delicately crafted a tapestry of shallow water deposition, an exquisite masterpiece of well-sorted, pristine sands that captured the essence of tranquility amidst geological tumult.
āĻāĻ–āĻžāĻ¨ā§‡, āĻĒā§āĻ°āĻ•ā§ƒāĻ¤āĻŋ āĻ¤āĻžāĻ° āĻļā§ˆāĻ˛ā§āĻĒāĻŋāĻ•āĻ¤āĻž āĻĒā§āĻ°āĻĻāĻ°ā§āĻļāĻ¨ āĻ•āĻ°ā§‡āĻ›āĻŋāĻ˛ āĻ•āĻžāĻ°āĻŖ āĻāĻŸāĻŋ āĻ¸ā§‚āĻ•ā§āĻˇā§āĻŽāĻ­āĻžāĻŦā§‡ āĻ…āĻ—āĻ­ā§€āĻ° āĻœāĻ˛ā§‡āĻ° āĻœāĻŽāĻžāĻ° āĻāĻ•āĻŸāĻŋ āĻŸā§‡āĻĒā§‡āĻ¸ā§āĻŸā§āĻ°āĻŋ āĻ¤ā§ˆāĻ°āĻŋ āĻ•āĻ°ā§‡āĻ›ā§‡, āĻ­āĻžāĻ˛āĻ­āĻžāĻŦā§‡ āĻ¸āĻžāĻœāĻžāĻ¨ā§‹, āĻ†āĻĻāĻŋāĻŽ āĻŦāĻžāĻ˛āĻŋāĻ° āĻāĻ•āĻŸāĻŋ āĻĻā§āĻ°ā§āĻĻāĻžāĻ¨ā§āĻ¤ āĻŽāĻžāĻ¸ā§āĻŸāĻžāĻ°āĻĒāĻŋāĻ¸ āĻ¯āĻž āĻ­ā§‚āĻ¤āĻžāĻ¤ā§āĻ¤ā§āĻŦāĻŋāĻ• āĻ—ā§‹āĻ˛āĻŽāĻžāĻ˛ā§‡āĻ° āĻŽāĻ§ā§āĻ¯ā§‡ āĻĒā§āĻ°āĻļāĻžāĻ¨ā§āĻ¤āĻŋāĻ° āĻ¸āĻžāĻ°āĻžāĻ‚āĻļāĻ•ā§‡ āĻ§āĻžāĻ°āĻŖ āĻ•āĻ°ā§‡āĻ›āĻŋāĻ˛āĨ¤


7.Hand – Haat – āĻšāĻžāĻ¤

The hand, an extraordinary marvel in the realm of vertebrate anatomy, emerges as a testament to nature’s ingenuity.
āĻšāĻžāĻ¤, āĻŽā§‡āĻ°ā§āĻĻāĻŖā§āĻĄā§€ āĻļāĻžāĻ°ā§€āĻ°āĻŦā§ƒāĻ¤ā§āĻ¤āĻŋāĻ° āĻ•ā§āĻˇā§‡āĻ¤ā§āĻ°ā§‡ āĻāĻ•āĻŸāĻŋ āĻ…āĻ¸āĻžāĻ§āĻžāĻ°āĻŖ āĻŦāĻŋāĻ¸ā§āĻŽāĻ¯āĻŧ, āĻĒā§āĻ°āĻ•ā§ƒāĻ¤āĻŋāĻ° āĻšāĻžāĻ¤ā§āĻ°ā§āĻ¯ā§‡āĻ° āĻĒā§āĻ°āĻŽāĻžāĻŖ āĻšāĻŋāĻ¸āĻžāĻŦā§‡ āĻ†āĻŦāĻŋāĻ°ā§āĻ­ā§‚āĻ¤ āĻšāĻ¯āĻŧāĨ¤

Positioned gracefully at the terminus of the forelimb, it embodies a symphony of unparalleled mobility and astonishing flexibility, both in its individual digits and the entirety of its structure.
āĻ…āĻ—ā§āĻ°āĻ­āĻžāĻ—ā§‡āĻ° āĻŸāĻžāĻ°ā§āĻŽāĻŋāĻ¨āĻžāĻ¸ā§‡ āĻ¸ā§āĻ¨ā§āĻĻāĻ°āĻ­āĻžāĻŦā§‡ āĻ…āĻŦāĻ¸ā§āĻĨāĻžāĻ¨ āĻ•āĻ°ā§‡, āĻāĻŸāĻŋ āĻ¸ā§āĻŦāĻ¤āĻ¨ā§āĻ¤ā§āĻ° āĻ¸āĻ‚āĻ–ā§āĻ¯āĻž āĻāĻŦāĻ‚ āĻāĻ° āĻ•āĻžāĻ āĻžāĻŽā§‹āĻ° āĻ¸āĻŽā§āĻĒā§‚āĻ°ā§āĻŖāĻ¤āĻž āĻ‰āĻ­āĻ¯āĻŧ āĻ•ā§āĻˇā§‡āĻ¤ā§āĻ°ā§‡āĻ‡ āĻ…āĻ¤ā§āĻ˛āĻ¨ā§€āĻ¯āĻŧ āĻ—āĻ¤āĻŋāĻļā§€āĻ˛āĻ¤āĻž āĻāĻŦāĻ‚ āĻ†āĻļā§āĻšāĻ°ā§āĻ¯āĻœāĻ¨āĻ• āĻ¨āĻŽāĻ¨ā§€āĻ¯āĻŧāĻ¤āĻžāĻ° āĻāĻ•āĻŸāĻŋ āĻ¸āĻŋāĻŽā§āĻĢāĻ¨āĻŋāĻ•ā§‡ āĻŽā§‚āĻ°ā§āĻ¤ āĻ•āĻ°ā§‡āĨ¤

This intricate wonderland of dexterity is meticulously composed of the wrist joint, where agility takes root, the carpal bones, providing the foundation for grace, the metacarpal bones, bridging the gap between strength and grace, and the phalanges, each a testament to precision in design.
āĻ¨āĻŋāĻĒā§āĻŖāĻ¤āĻžāĻ° āĻāĻ‡ āĻœāĻŸāĻŋāĻ˛ āĻ†āĻļā§āĻšāĻ°ā§āĻ¯āĻ­ā§‚āĻŽāĻŋāĻŸāĻŋ āĻ•āĻŦā§āĻœāĻŋāĻ° āĻœāĻ¯āĻŧā§‡āĻ¨ā§āĻŸā§‡āĻ° āĻ¸āĻžāĻĨā§‡ āĻ¸ā§‚āĻ•ā§āĻˇā§āĻŽāĻ­āĻžāĻŦā§‡ āĻ—āĻ āĻŋāĻ¤, āĻ¯ā§‡āĻ–āĻžāĻ¨ā§‡ āĻ¤āĻ¤ā§āĻĒāĻ°āĻ¤āĻž āĻļāĻŋāĻ•āĻĄāĻŧ āĻĻā§‡āĻ¯āĻŧ, āĻ•āĻžāĻ°ā§āĻĒāĻžāĻ˛ āĻšāĻžāĻĄāĻŧ, āĻ…āĻ¨ā§āĻ—ā§āĻ°āĻšā§‡āĻ° āĻ­āĻŋāĻ¤ā§āĻ¤āĻŋ āĻĒā§āĻ°āĻĻāĻžāĻ¨ āĻ•āĻ°ā§‡, āĻŽā§‡āĻŸāĻžāĻ•āĻžāĻ°āĻĒāĻžāĻ˛ āĻšāĻžāĻĄāĻŧ, āĻļāĻ•ā§āĻ¤āĻŋ āĻāĻŦāĻ‚ āĻ•āĻ°ā§āĻŖāĻžāĻ° āĻŽāĻ§ā§āĻ¯ā§‡ āĻŦā§āĻ¯āĻŦāĻ§āĻžāĻ¨ āĻĒā§‚āĻ°āĻŖ āĻ•āĻ°ā§‡, āĻāĻŦāĻ‚ āĻĢā§āĻ¯āĻžāĻ˛āĻžāĻžā§āĻœāĻ¸, āĻĒā§āĻ°āĻ¤āĻŋāĻŸāĻŋāĻ¤ā§‡ āĻ¨āĻŋāĻ°ā§āĻ­ā§āĻ˛āĻ¤āĻžāĻ° āĻāĻ•āĻŸāĻŋ āĻĒā§āĻ°āĻŽāĻžāĻŖāĨ¤

In the grand orchestra of life, the hand is the virtuoso, orchestrating a symphony of movements that define the unique capabilities of its possessor.
āĻ¨āĻ•āĻļāĻž āĻœā§€āĻŦāĻ¨ā§‡āĻ° āĻ—ā§āĻ°ā§āĻ¯āĻžāĻ¨ā§āĻĄ āĻ…āĻ°ā§āĻ•ā§‡āĻ¸ā§āĻŸā§āĻ°āĻžāĻ¯āĻŧ, āĻšāĻžāĻ¤āĻŸāĻŋ āĻšāĻ˛ āĻ—ā§āĻŖā§€āĻœāĻ¨, āĻ¯āĻž āĻ¤āĻžāĻ° āĻ…āĻ§āĻŋāĻ•āĻžāĻ°ā§€āĻ° āĻ…āĻ¨āĻ¨ā§āĻ¯ āĻ•ā§āĻˇāĻŽāĻ¤āĻžāĻ•ā§‡ āĻ¸āĻ‚āĻœā§āĻžāĻžāĻ¯āĻŧāĻŋāĻ¤ āĻ•āĻ°ā§‡ āĻāĻŽāĻ¨ āĻ¨āĻĄāĻŧāĻžāĻšāĻĄāĻŧāĻžāĻ° āĻ¸āĻŋāĻŽā§āĻĢāĻ¨āĻŋ āĻ…āĻ°ā§āĻ•ā§‡āĻ¸ā§āĻŸā§āĻ°ā§‡āĻŸ āĻ•āĻ°ā§‡āĨ¤


8.Foot – Pa – āĻĒāĻž

The foot, a true marvel of biomechanical engineering within the human body, is an intricate symphony of complexity and precision.
āĻĒāĻž, āĻŽāĻžāĻ¨āĻŦāĻĻā§‡āĻšā§‡āĻ° āĻŽāĻ§ā§āĻ¯ā§‡ āĻŦāĻžāĻ¯āĻŧā§‹āĻŽā§‡āĻ•āĻžāĻ¨āĻŋāĻ•āĻžāĻ˛ āĻ‡āĻžā§āĻœāĻŋāĻ¨āĻŋāĻ¯āĻŧāĻžāĻ°āĻŋāĻ‚āĻ¯āĻŧā§‡āĻ° āĻāĻ•āĻŸāĻŋ āĻ¸āĻ¤ā§āĻ¯āĻŋāĻ•āĻžāĻ°ā§‡āĻ° āĻŦāĻŋāĻ¸ā§āĻŽāĻ¯āĻŧ, āĻœāĻŸāĻŋāĻ˛āĻ¤āĻž āĻāĻŦāĻ‚ āĻ¨āĻŋāĻ°ā§āĻ­ā§āĻ˛āĻ¤āĻžāĻ° āĻāĻ•āĻŸāĻŋ āĻœāĻŸāĻŋāĻ˛ āĻ¸āĻŋāĻŽā§āĻĢāĻ¨āĻŋāĨ¤

Comprising an astounding ensemble of 33 joints, 26 meticulously arranged bones, and a harmonious interplay of over a hundred muscles, tendons, and ligaments, it stands as a testament to nature’s artistry in motion.
33āĻŸāĻŋ āĻœāĻ¯āĻŧā§‡āĻ¨ā§āĻŸā§‡āĻ° āĻāĻ•āĻŸāĻŋ āĻšāĻŽāĻ•āĻĒā§āĻ°āĻĻ āĻ¸āĻ‚āĻŽāĻŋāĻļā§āĻ°āĻŖ, 26āĻŸāĻŋ āĻ¸āĻžāĻŦāĻ§āĻžāĻ¨ā§‡ āĻ¸āĻžāĻœāĻžāĻ¨ā§‹ āĻšāĻžāĻĄāĻŧ āĻāĻŦāĻ‚ āĻāĻ•āĻļā§‹āĻ°āĻ“ āĻŦā§‡āĻļāĻŋ āĻĒā§‡āĻļā§€, āĻŸā§‡āĻ¨ā§āĻĄāĻ¨ āĻāĻŦāĻ‚ āĻ˛āĻŋāĻ—āĻžāĻŽā§‡āĻ¨ā§āĻŸā§‡āĻ° āĻāĻ•āĻŸāĻŋ āĻ¸ā§āĻ°ā§‡āĻ˛āĻž āĻ‡āĻ¨ā§āĻŸāĻžāĻ°āĻĒā§āĻ˛ā§‡ āĻ¸āĻš, āĻāĻŸāĻŋ āĻ—āĻ¤āĻŋāĻ¤ā§‡ āĻĒā§āĻ°āĻ•ā§ƒāĻ¤āĻŋāĻ° āĻļā§ˆāĻ˛ā§āĻĒāĻŋāĻ•āĻ¤āĻžāĻ° āĻĒā§āĻ°āĻŽāĻžāĻŖ āĻšāĻŋāĻ¸āĻžāĻŦā§‡ āĻĻāĻžāĻāĻĄāĻŧāĻŋāĻ¯āĻŧā§‡āĻ›ā§‡āĨ¤

This remarkable assembly is not merely a passive foundation but a dynamic masterpiece, meticulously designed to bear the weight of existence, to usher us through the world with graceful locomotion, and to seamlessly transmit the force of our every step into the canvas of our earthly journey.
āĻāĻ‡ āĻ…āĻ¸āĻžāĻ§āĻžāĻ°āĻŖ āĻ¸āĻŽāĻžāĻŦā§‡āĻļāĻŸāĻŋ āĻ¨āĻŋāĻ›āĻ• āĻāĻ•āĻŸāĻŋ āĻ¨āĻŋāĻˇā§āĻ•ā§āĻ°āĻŋāĻ¯āĻŧ āĻ­āĻŋāĻ¤ā§āĻ¤āĻŋ āĻ¨āĻ¯āĻŧ āĻŦāĻ°āĻ‚ āĻāĻ•āĻŸāĻŋ āĻ—āĻ¤āĻŋāĻļā§€āĻ˛ āĻŽāĻžāĻ¸ā§āĻŸāĻžāĻ°āĻĒāĻŋāĻ¸, āĻ¯āĻž āĻ…āĻ¸ā§āĻ¤āĻŋāĻ¤ā§āĻŦā§‡āĻ° āĻ­āĻžāĻ° āĻŦāĻšāĻ¨ āĻ•āĻ°āĻžāĻ° āĻœāĻ¨ā§āĻ¯, āĻ¸ā§āĻ¨ā§āĻĻāĻ° āĻ—āĻ¤āĻŋāĻ° āĻ¸āĻžāĻĨā§‡ āĻ†āĻŽāĻžāĻĻā§‡āĻ°āĻ•ā§‡ āĻŦāĻŋāĻļā§āĻŦā§‡āĻ° āĻŽāĻ§ā§āĻ¯ā§‡ āĻ¨āĻŋāĻ¯āĻŧā§‡ āĻ¯āĻžāĻ“āĻ¯āĻŧāĻžāĻ° āĻœāĻ¨ā§āĻ¯ āĻāĻŦāĻ‚ āĻ†āĻŽāĻžāĻĻā§‡āĻ° āĻĒāĻžāĻ°ā§āĻĨāĻŋāĻŦ āĻ¯āĻžāĻ¤ā§āĻ°āĻžāĻ° āĻ•ā§āĻ¯āĻžāĻ¨āĻ­āĻžāĻ¸ā§‡ āĻ†āĻŽāĻžāĻĻā§‡āĻ° āĻĒā§āĻ°āĻ¤āĻŋāĻŸāĻŋ āĻĒāĻĻāĻ•ā§āĻˇā§‡āĻĒā§‡āĻ° āĻļāĻ•ā§āĻ¤āĻŋāĻ•ā§‡ āĻ¨āĻŋāĻ°ā§āĻŦāĻŋāĻ˜ā§āĻ¨ā§‡ āĻ¸āĻžā§āĻšāĻžāĻ°āĻŋāĻ¤ āĻ•āĻ°āĻžāĻ° āĻœāĻ¨ā§āĻ¯ āĻ¸āĻ¤āĻ°ā§āĻ•āĻ¤āĻžāĻ° āĻ¸āĻžāĻĨā§‡ āĻĄāĻŋāĻœāĻžāĻ‡āĻ¨ āĻ•āĻ°āĻž āĻšāĻ¯āĻŧā§‡āĻ›ā§‡āĨ¤

In the grand ballet of human anatomy, the foot is the choreographer, orchestrating the poetry of movement with each elegantly choreographed step.
āĻŽāĻžāĻ¨āĻŦ āĻļāĻžāĻ°ā§€āĻ°āĻ¸ā§āĻĨāĻžāĻ¨ā§‡āĻ° āĻ—ā§āĻ°ā§āĻ¯āĻžāĻ¨ā§āĻĄ āĻŦā§āĻ¯āĻžāĻ˛ā§‡, āĻĒāĻž āĻšāĻ˛ āĻ•ā§‹āĻ°āĻŋāĻ“āĻ—ā§āĻ°āĻžāĻĢāĻžāĻ°, āĻĒā§āĻ°āĻ¤āĻŋāĻŸāĻŋ āĻŽāĻžāĻ°ā§āĻœāĻŋāĻ¤āĻ­āĻžāĻŦā§‡ āĻ•ā§‹āĻ°āĻŋāĻ“āĻ—ā§āĻ°āĻžāĻĢ āĻ•āĻ°āĻž āĻĒāĻĻāĻ•ā§āĻˇā§‡āĻĒā§‡āĻ° āĻ¸āĻžāĻĨā§‡ āĻ†āĻ¨ā§āĻĻā§‹āĻ˛āĻ¨ā§‡āĻ° āĻ•āĻŦāĻŋāĻ¤āĻžāĻ•ā§‡ āĻ…āĻ°ā§āĻ•ā§‡āĻ¸ā§āĻŸā§āĻ°ā§‡āĻŸ āĻ•āĻ°ā§‡āĨ¤

 

Bengali is a language that can be spoken in various ways depending on the location.
āĻŦāĻžāĻ‚āĻ˛āĻž āĻāĻŽāĻ¨ āĻāĻ•āĻŸāĻŋ āĻ­āĻžāĻˇāĻž āĻ¯āĻž āĻ…āĻŦāĻ¸ā§āĻĨāĻžāĻ¨ā§‡āĻ° āĻ‰āĻĒāĻ° āĻ¨āĻŋāĻ°ā§āĻ­āĻ° āĻ•āĻ°ā§‡ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āĻ¨ āĻ‰āĻĒāĻžāĻ¯āĻŧā§‡ āĻŦāĻ˛āĻž āĻ¯āĻžāĻ¯āĻŧāĨ¤
Bangla emon akti bhasha ja obosthaner upor nirvor kore bibhirnno upaye bola jaaiāĨ¤

It's not uncommon to hear the same sentence pronounced differently in different places.
āĻāĻ•āĻ‡ āĻŦāĻžāĻ•ā§āĻ¯ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āĻ¨ āĻœāĻžāĻ¯āĻŧāĻ—āĻžāĻ¯āĻŧ āĻ­āĻŋāĻ¨ā§āĻ¨āĻ­āĻžāĻŦā§‡ āĻ‰āĻšā§āĻšāĻžāĻ°āĻŋāĻ¤ āĻšāĻ“āĻ¯āĻŧāĻž āĻ…āĻ¸ā§āĻŦāĻžāĻ­āĻžāĻŦāĻŋāĻ• āĻ¨āĻ¯āĻŧāĨ¤
Aki bakko bibhirnno jaigai bhirnnobhabe uchaarito howa osabhabik noyāĨ¤

Moreover, a word in Bengali can have two different pronunciations.
āĻ¤āĻžāĻ›āĻžāĻĄāĻŧāĻž āĻŦāĻžāĻ‚āĻ˛āĻžāĻ¯āĻŧ āĻāĻ•āĻŸāĻŋ āĻļāĻŦā§āĻĻā§‡āĻ° āĻĻā§āĻŸāĻŋ āĻ­āĻŋāĻ¨ā§āĻ¨ āĻ‰āĻšā§āĻšāĻžāĻ°āĻŖ āĻĨāĻžāĻ•āĻ¤ā§‡ āĻĒāĻžāĻ°ā§‡āĨ¤
Tachara banglai ekti sobder duti bhirnno uchaaron thakte pareāĨ¤

āĻ¯ā§‡āĻŽāĻ¨- Jemon- ( for example )
āĻ†āĻŽāĻŋ āĻ—āĻ¤āĻ•āĻžāĻ˛ āĻ—āĻŋāĻ¯āĻŧā§‡āĻ›āĻŋāĻ˛āĻžāĻŽ, ( Ami Gotokal Giyechilam )
āĻ†āĻŽāĻŋ āĻ•āĻžāĻ˛āĻ•ā§‡ āĻ—āĻŋāĻ¯āĻŧā§‡āĻ›āĻŋāĻ˛āĻžāĻŽ,  ( Ami kalke Giyechilam )

This sentence is called in English ( I want yesterday )

The sentance are the same but the sentace are different. The same word can be said in two ways.
āĻŦāĻžāĻ•ā§āĻ¯ āĻāĻ•āĻ‡ āĻ•āĻŋāĻ¨ā§āĻ¤ā§ āĻŦāĻžāĻ•ā§āĻ¯ āĻ­āĻŋāĻ¨ā§āĻ¨āĨ¤ āĻāĻ•āĻ‡ āĻ•āĻĨāĻž āĻĻā§āĻ‡āĻ­āĻžāĻŦā§‡ āĻŦāĻ˛āĻž āĻ¯āĻžāĻ¯āĻŧāĨ¤
Bakko eki kintu bakko bhirnnoāĨ¤ aki kotha dubhabe bola jaiāĨ¤

Our team Learn Bengali Now has written these posts in their own language,
āĻ†āĻŽāĻžāĻĻā§‡āĻ° āĻŸāĻŋāĻŽ “āĻŦāĻžāĻ‚āĻ˛āĻž āĻļāĻŋāĻ–ā§āĻ¨ āĻāĻ–āĻ¨â€ āĻāĻ‡ āĻĒā§‹āĻ¸ā§āĻŸāĻ—ā§āĻ˛āĻŋ āĻ¤āĻžāĻĻā§‡āĻ° āĻ¨āĻŋāĻœāĻ¸ā§āĻŦ āĻ­āĻžāĻˇāĻžāĻ¯āĻŧ āĻ˛āĻŋāĻ–ā§‡āĻ›ā§‡āĻ¨,
amader team “Bangla Sikhun Akhon” ai postguli tader nijoshro bhasai likhechen,

There may be some mistakes in this because Bengali language can be spoken in many ways.
āĻāĻ¤ā§‡ āĻ•āĻŋāĻ›ā§ āĻ­ā§āĻ˛ āĻĨāĻžāĻ•āĻ¤ā§‡ āĻĒāĻžāĻ°ā§‡ āĻ•āĻžāĻ°āĻŖ āĻŦāĻžāĻ‚āĻ˛āĻž āĻ­āĻžāĻˇāĻž āĻ¨āĻžāĻ¨āĻžāĻ­āĻžāĻŦā§‡ āĻŦāĻ˛āĻž āĻ¯āĻžāĻ¯āĻŧāĨ¤
ate kichu bhul thakte pare karon bangla bhasha nananbhabe bola jaiāĨ¤

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