Human Body Part Names in Bengali
1. Ear – kan – āĻāĻžāĻ¨
The ear, a multifunctional organ in mammals,
āĻāĻžāĻ¨, āĻ¸ā§āĻ¤āĻ¨ā§āĻ¯āĻĒāĻžāĻ¯āĻŧā§ āĻĒā§āĻ°āĻžāĻŖā§āĻ° āĻāĻāĻāĻŋ āĻŦāĻšā§āĻŽā§āĻā§ āĻ
āĻā§āĻ,
facilitates hearing and body balance through the vestibular system.
āĻā§āĻ¸ā§āĻāĻŋāĻŦā§āĻ˛āĻžāĻ° āĻ¸āĻŋāĻ¸ā§āĻā§āĻŽā§āĻ° āĻŽāĻžāĻ§ā§āĻ¯āĻŽā§ āĻļā§āĻ°āĻŦāĻŖāĻļāĻā§āĻ¤āĻŋ āĻāĻŦāĻ āĻļāĻ°ā§āĻ°ā§āĻ° āĻāĻžāĻ°āĻ¸āĻžāĻŽā§āĻ¯ āĻŦāĻāĻžāĻ¯āĻŧ āĻ°āĻžāĻā§āĨ¤
It comprises three main sections: the outer ear,
āĻāĻāĻŋ āĻ¤āĻŋāĻ¨āĻāĻŋ āĻĒā§āĻ°āĻ§āĻžāĻ¨ āĻ
āĻāĻļ āĻ¨āĻŋāĻ¯āĻŧā§ āĻāĻ āĻŋāĻ¤: āĻŦāĻžāĻāĻ°ā§āĻ° āĻāĻžāĻ¨,
which includes the pinna and ear canal; the middle ear,
āĻ¯āĻžāĻ° āĻŽāĻ§ā§āĻ¯ā§ āĻ°āĻ¯āĻŧā§āĻā§ āĻĒāĻŋāĻ¨āĻž āĻāĻŦāĻ āĻāĻžāĻ¨ āĻāĻžāĻ˛; āĻŽāĻ§ā§āĻ¯ āĻāĻžāĻ¨,
responsible for sound transmission; and the inner ear,
āĻļāĻŦā§āĻĻ āĻ¸āĻāĻā§āĻ°āĻŽāĻŖā§āĻ° āĻāĻ¨ā§āĻ¯ āĻĻāĻžāĻ¯āĻŧā§; āĻāĻŦāĻ āĻāĻŋāĻ¤āĻ°ā§āĻ° āĻāĻžāĻ¨,
critical for both hearing and balance.
āĻļā§āĻ°āĻŦāĻŖāĻļāĻā§āĻ¤āĻŋ āĻāĻŦāĻ āĻāĻžāĻ°āĻ¸āĻžāĻŽā§āĻ¯ āĻāĻāĻ¯āĻŧā§āĻ° āĻāĻ¨ā§āĻ¯āĻ āĻā§āĻ°ā§āĻ¤ā§āĻŦāĻĒā§āĻ°ā§āĻŖāĨ¤
2.Neck – Ghar – āĻāĻžāĻĄāĻŧ
The neck, a complex assembly of bones, muscles, nerves, blood vessels, lymphatics, and connective tissues, serves as the bridge between the head and torso.
āĻāĻžāĻĄāĻŧ, āĻšāĻžāĻĄāĻŧ, āĻĒā§āĻļā§, āĻ¸ā§āĻ¨āĻžāĻ¯āĻŧā§, āĻ°āĻā§āĻ¤āĻ¨āĻžāĻ˛ā§, āĻ˛āĻŋāĻŽā§āĻĢā§āĻ¯āĻžāĻāĻŋāĻā§āĻ¸ āĻāĻŦāĻ āĻ¸āĻāĻ¯ā§āĻāĻāĻžāĻ°ā§ āĻāĻŋāĻ¸ā§āĻ¯ā§āĻā§āĻ˛āĻŋāĻ° āĻāĻāĻāĻŋ āĻāĻāĻŋāĻ˛ āĻ¸āĻŽāĻžāĻŦā§āĻļ, āĻŽāĻžāĻĨāĻž āĻāĻŦāĻ āĻ§āĻĄāĻŧā§āĻ° āĻŽāĻ§ā§āĻ¯ā§ āĻ¸ā§āĻ¤ā§ āĻšāĻŋāĻ¸āĻžāĻŦā§ āĻāĻžāĻ āĻāĻ°ā§āĨ¤
Within the neck, the cervical spine represents the bony component.
āĻāĻžāĻĄāĻŧā§āĻ° āĻŽāĻ§ā§āĻ¯ā§, āĻ¸āĻžāĻ°ā§āĻāĻŋāĻāĻžāĻ˛ āĻŽā§āĻ°ā§āĻĻāĻŖā§āĻĄ āĻšāĻžāĻĄāĻŧā§āĻ° āĻāĻĒāĻžāĻĻāĻžāĻ¨āĻā§ āĻĒā§āĻ°āĻ¤āĻŋāĻ¨āĻŋāĻ§āĻŋāĻ¤ā§āĻŦ āĻāĻ°ā§āĨ¤
3.Lip – Thot – āĻ ā§āĻāĻ
conveying emotions, enabling speech, providing sensation, aiding in chewing, contributing to physical attraction, and facilitating intimacy.
āĻ ā§āĻāĻ, āĻŽāĻžāĻ¨ā§āĻˇā§āĻ° āĻŽā§āĻā§āĻ° āĻ¸āĻžāĻĨā§ āĻ
āĻŦāĻŋāĻā§āĻā§āĻĻā§āĻ¯, āĻāĻŦā§āĻ āĻĒā§āĻ°āĻāĻžāĻļ āĻāĻ°āĻž, āĻŦāĻā§āĻ¤ā§āĻ¤āĻž āĻ¸āĻā§āĻˇāĻŽ āĻāĻ°āĻž, āĻ¸āĻāĻŦā§āĻĻāĻ¨ āĻĒā§āĻ°āĻĻāĻžāĻ¨, āĻāĻŋāĻŦāĻžāĻ¨ā§āĻ¤ā§ āĻ¸āĻšāĻžāĻ¯āĻŧāĻ¤āĻž āĻāĻ°āĻž, āĻļāĻžāĻ°ā§āĻ°āĻŋāĻ āĻāĻāĻ°ā§āĻˇāĻŖā§ āĻ
āĻŦāĻĻāĻžāĻ¨ āĻ°āĻžāĻāĻž āĻāĻŦāĻ āĻāĻ¨āĻŋāĻˇā§āĻ āĻ¤āĻžāĻ° āĻ¸ā§āĻŦāĻŋāĻ§āĻž āĻ¸āĻš āĻŦāĻŋāĻāĻŋāĻ¨ā§āĻ¨ āĻā§āĻ°ā§āĻ¤ā§āĻŦāĻĒā§āĻ°ā§āĻŖ āĻāĻžāĻ āĻāĻ°ā§āĨ¤
They consist of the upper lip, known as ‘labium superius oris,’ and the lower lip, referred to as ‘labium inferius oris.
āĻ¤āĻžāĻ°āĻž āĻāĻĒāĻ°ā§āĻ° āĻ ā§āĻāĻ āĻ¨āĻŋāĻ¯āĻŧā§ āĻāĻ āĻŋāĻ¤, āĻ¯āĻž ‘āĻ˛ā§āĻ¯āĻžāĻŦāĻŋāĻ¯āĻŧāĻžāĻŽ āĻ¸ā§āĻĒāĻžāĻ°āĻŋāĻ¯āĻŧāĻžāĻ¸ āĻāĻ°āĻŋāĻ¸’ āĻ¨āĻžāĻŽā§ āĻĒāĻ°āĻŋāĻāĻŋāĻ¤ āĻāĻŦāĻ āĻ¨ā§āĻā§āĻ° āĻ ā§āĻāĻāĻā§ ‘āĻ˛ā§āĻ¯āĻžāĻŦāĻŋāĻ¯āĻŧāĻžāĻŽ āĻāĻ¨āĻĢā§āĻ°āĻŋāĻ¯āĻŧāĻžāĻ¸ āĻāĻ°āĻŋāĻ¸’ āĻŦāĻ˛āĻž āĻšāĻ¯āĻŧāĨ¤
4.Eyes – Chokh – āĻā§āĻ
The human eye is a highly intricate sensory organ, pivotal for perceiving visual information, including light, color, and depth.
āĻŽāĻžāĻ¨ā§āĻˇā§āĻ° āĻā§āĻ āĻāĻāĻāĻŋ āĻ
āĻ¤ā§āĻ¯āĻ¨ā§āĻ¤ āĻāĻāĻŋāĻ˛ āĻ¸āĻāĻŦā§āĻĻāĻ¨āĻļā§āĻ˛ āĻ
āĻā§āĻ, āĻ¯āĻž āĻāĻ˛ā§, āĻ°āĻ āĻāĻŦāĻ āĻāĻā§āĻ°āĻ¤āĻž āĻ¸āĻš āĻāĻžāĻā§āĻˇā§āĻˇ āĻ¤āĻĨā§āĻ¯ āĻāĻĒāĻ˛āĻŦā§āĻ§āĻŋ āĻāĻ°āĻžāĻ° āĻāĻ¨ā§āĻ¯ āĻā§āĻ°ā§āĻ¤ā§āĻŦāĻĒā§āĻ°ā§āĻŖāĨ¤
Its resemblance to a camera aids in our comprehension of both its structure and functioning.
āĻāĻāĻāĻŋ āĻā§āĻ¯āĻžāĻŽā§āĻ°āĻžāĻ° āĻ¸āĻžāĻĨā§ āĻāĻ° āĻ¸āĻžāĻĻā§āĻļā§āĻ¯ āĻāĻāĻŋāĻ° āĻāĻ āĻ¨ āĻāĻŦāĻ āĻāĻžāĻ°ā§āĻ¯āĻāĻžāĻ°āĻŋāĻ¤āĻž āĻāĻāĻ¯āĻŧā§āĻ°āĻ āĻāĻŽāĻžāĻĻā§āĻ° āĻŦā§āĻāĻžāĻ° āĻā§āĻˇā§āĻ¤ā§āĻ°ā§ āĻ¸āĻšāĻžāĻ¯āĻŧāĻ¤āĻž āĻāĻ°ā§āĨ¤
Let’s explore the intricate anatomy and functions of the human eye, shedding light on how it parallels the operation of a camera.
āĻāĻ¸ā§āĻ¨ āĻāĻ° āĻāĻāĻŋāĻ˛ āĻļāĻžāĻ°ā§āĻ°āĻ¸ā§āĻĨāĻžāĻ¨ āĻāĻŦāĻ āĻāĻžāĻ°ā§āĻ¯āĻžāĻŦāĻ˛ā§ āĻ
āĻ¨ā§āĻŦā§āĻˇāĻŖ āĻāĻ°āĻŋāĨ¤ āĻŽāĻžāĻ¨ā§āĻˇā§āĻ° āĻā§āĻ, āĻāĻŋāĻāĻžāĻŦā§ āĻāĻāĻŋ āĻāĻāĻāĻŋ āĻā§āĻ¯āĻžāĻŽā§āĻ°āĻžāĻ° āĻ
āĻĒāĻžāĻ°ā§āĻļāĻ¨ā§āĻ° āĻ¸āĻŽāĻžāĻ¨ā§āĻ¤āĻ°āĻžāĻ˛āĻāĻžāĻŦā§ āĻāĻ˛ā§āĻāĻĒāĻžāĻ¤ āĻāĻ°ā§āĨ¤
5.Heart – hridoy – āĻšā§āĻĻāĻ¯āĻŧ
The heart, though no larger than a clenched fist, serves as the pulsating epicenter of your circulatory system, orchestrating the ceaseless symphony of life as it propels blood through a network of vessels.
āĻšā§ā§āĻĒāĻŋāĻŖā§āĻĄ, āĻ¯āĻĻāĻŋāĻ āĻāĻāĻāĻŋ āĻā§āĻ˛ā§āĻā§āĻāĻĄ āĻŽā§āĻˇā§āĻāĻŋāĻ° āĻā§āĻ¯āĻŧā§ āĻŦāĻĄāĻŧ āĻ¨āĻ¯āĻŧ, āĻāĻĒāĻ¨āĻžāĻ° āĻ¸āĻāĻŦāĻšāĻ¨āĻ¤āĻ¨ā§āĻ¤ā§āĻ°ā§āĻ° āĻ¸ā§āĻĒāĻ¨ā§āĻĻāĻ¨āĻļā§āĻ˛ āĻā§āĻ¨ā§āĻĻā§āĻ° āĻšāĻŋāĻ¸āĻžāĻŦā§ āĻāĻžāĻ āĻāĻ°ā§, āĻā§āĻŦāĻ¨ā§āĻ° āĻ
āĻŦāĻŋāĻ°āĻžāĻŽ āĻ¸āĻŋāĻŽā§āĻĢāĻ¨āĻŋāĻā§ āĻ
āĻ°ā§āĻā§āĻ¸ā§āĻā§āĻ°ā§āĻ āĻāĻ°ā§ āĻāĻžāĻ°āĻŖ āĻāĻāĻŋ āĻ°āĻā§āĻ¤āĻ¨āĻžāĻ˛ā§āĻā§āĻ˛āĻŋāĻ° āĻāĻāĻāĻŋ āĻ¨ā§āĻāĻāĻ¯āĻŧāĻžāĻ°ā§āĻā§āĻ° āĻŽāĻžāĻ§ā§āĻ¯āĻŽā§ āĻ°āĻā§āĻ¤āĻā§ āĻāĻžāĻ˛āĻŋāĻ¤ āĻāĻ°ā§āĨ¤
Within its muscular confines, it houses a quartet of chambers, meticulously synchronized by the intricate dance of electrical impulses.
āĻāĻ° āĻĒā§āĻļā§āĻŦāĻšā§āĻ˛ āĻ¸ā§āĻŽāĻžāĻ° āĻŽāĻ§ā§āĻ¯ā§, āĻāĻāĻŋ āĻāĻāĻāĻŋ āĻāĻ¤ā§āĻˇā§āĻā§āĻŖ āĻā§āĻŽā§āĻŦāĻžāĻ° āĻ§āĻžāĻ°āĻŖ āĻāĻ°ā§, āĻ¯āĻž āĻŦā§āĻĻā§āĻ¯ā§āĻ¤āĻŋāĻ āĻāĻŦā§āĻā§āĻ° āĻāĻāĻŋāĻ˛ āĻ¨ā§āĻ¤ā§āĻ¯ā§āĻ° āĻĻā§āĻŦāĻžāĻ°āĻž āĻ¸āĻžāĻŦāĻ§āĻžāĻ¨āĻ¤āĻžāĻ° āĻ¸āĻžāĻĨā§ āĻ¸āĻŋāĻā§āĻā§āĻ°ā§āĻ¨āĻžāĻāĻ āĻāĻ°āĻž āĻšāĻ¯āĻŧāĨ¤
Yet, it is not a solitary conductor; rather, it humbly takes its cues from the grand maestroâthe brain and nervous systemâensuring the harmonious flow of vitality throughout your being.
āĻ¤āĻŦā§āĻ, āĻāĻāĻŋ āĻāĻāĻāĻŋ āĻ¨āĻŋāĻ°ā§āĻāĻ¨ āĻĒāĻ°āĻŋāĻŦāĻžāĻšā§ āĻ¨āĻ¯āĻŧ; āĻŦāĻ°āĻ, āĻāĻāĻŋ āĻ¨āĻŽā§āĻ°āĻāĻžāĻŦā§ āĻā§āĻ°ā§āĻ¯āĻžāĻ¨ā§āĻĄ āĻŽāĻžāĻ¯āĻŧā§āĻ¸ā§āĻā§āĻ°ā§-āĻŽāĻ¸ā§āĻ¤āĻŋāĻˇā§āĻ āĻāĻŦāĻ āĻ¸ā§āĻ¨āĻžāĻ¯āĻŧā§āĻ¤āĻ¨ā§āĻ¤ā§āĻ°ā§āĻ° āĻāĻžāĻ āĻĨā§āĻā§ āĻ¤āĻžāĻ° āĻāĻā§āĻāĻŋāĻ¤ āĻ¨ā§āĻ¯āĻŧ-āĻāĻĒāĻ¨āĻžāĻ° āĻ¸āĻ¤ā§āĻ¤āĻž āĻā§āĻĄāĻŧā§ āĻā§āĻŦāĻ¨ā§āĻļāĻā§āĻ¤āĻŋāĻ° āĻ¸ā§āĻ°ā§āĻ˛āĻž āĻĒā§āĻ°āĻŦāĻžāĻš āĻ¨āĻŋāĻļā§āĻāĻŋāĻ¤ āĻāĻ°ā§āĨ¤
6.Face – Mukh – āĻŽā§āĻ
The enigmatic Muth sediments stand as a geological testament to a remarkable era in Earth’s historyâthe Later Silurian period.
āĻ°āĻšāĻ¸ā§āĻ¯āĻŽāĻ¯āĻŧ āĻŽā§āĻĨ āĻĒāĻ˛āĻ˛āĻā§āĻ˛āĻŋ āĻĒā§āĻĨāĻŋāĻŦā§āĻ° āĻāĻ¤āĻŋāĻšāĻžāĻ¸ā§āĻ° āĻāĻāĻāĻŋ āĻāĻ˛ā§āĻ˛ā§āĻāĻ¯ā§āĻā§āĻ¯ āĻ¯ā§āĻā§āĻ° āĻā§āĻ¤āĻžāĻ¤ā§āĻ¤ā§āĻŦāĻŋāĻ āĻĒā§āĻ°āĻŽāĻžāĻŖ āĻšāĻŋāĻ¸āĻžāĻŦā§ āĻĻāĻžāĻāĻĄāĻŧāĻŋāĻ¯āĻŧā§ āĻāĻā§-āĻĒāĻ°āĻŦāĻ°ā§āĻ¤ā§ āĻ¸āĻŋāĻ˛ā§āĻ°āĻŋāĻ¯āĻŧāĻžāĻ¨ āĻ¸āĻŽāĻ¯āĻŧāĻāĻžāĻ˛āĨ¤
This epoch, characterized by a rare tectonic calm, transformed the vast Tethyan domain, stretching from the enchanting Tanawal in the west to the majestic northern reaches of Nepal, into a mesmerizing canvas of offshore elongate bars and intricate shoal complexes.
āĻāĻ āĻ¯ā§āĻāĻāĻŋ, āĻāĻāĻāĻŋ āĻŦāĻŋāĻ°āĻ˛ āĻā§āĻāĻā§āĻ¨āĻŋāĻ āĻļāĻžāĻ¨ā§āĻ¤ āĻĻā§āĻŦāĻžāĻ°āĻž āĻāĻŋāĻšā§āĻ¨āĻŋāĻ¤, āĻŦāĻŋāĻļāĻžāĻ˛ āĻā§āĻĨāĻŋāĻ¯āĻŧāĻžāĻ¨ āĻĄā§āĻŽā§āĻāĻ¨āĻā§ āĻ°ā§āĻĒāĻžāĻ¨ā§āĻ¤āĻ°āĻŋāĻ¤ āĻāĻ°ā§āĻā§, āĻ¯āĻž āĻĒāĻļā§āĻāĻŋāĻŽā§ āĻŽā§āĻšāĻ¨ā§āĻ¯āĻŧ āĻ¤āĻžāĻ¨āĻžāĻāĻ¯āĻŧāĻžāĻ˛ āĻĨā§āĻā§ āĻ¨ā§āĻĒāĻžāĻ˛ā§āĻ° āĻ°āĻžāĻāĻā§āĻ¯āĻŧ āĻāĻ¤ā§āĻ¤āĻ°āĻžāĻā§āĻāĻ˛ āĻĒāĻ°ā§āĻ¯āĻ¨ā§āĻ¤ āĻŦāĻŋāĻ¸ā§āĻ¤ā§āĻ¤, āĻ
āĻĢāĻļā§āĻ° āĻĒā§āĻ°āĻ¸āĻžāĻ°āĻŋāĻ¤ āĻŦāĻžāĻ° āĻāĻŦāĻ āĻāĻāĻŋāĻ˛ āĻļā§āĻ˛ āĻāĻŽāĻĒā§āĻ˛ā§āĻā§āĻ¸ā§āĻ° āĻāĻāĻāĻŋ āĻŽāĻ¨ā§āĻ¤ā§āĻ°āĻŽā§āĻā§āĻ§ āĻā§āĻ¯āĻžāĻ¨āĻāĻžāĻ¸ā§ āĻĒāĻ°āĻŋāĻŖāĻ¤ āĻšāĻ¯āĻŧā§āĻā§āĨ¤
Here, nature displayed its artistry as it delicately crafted a tapestry of shallow water deposition, an exquisite masterpiece of well-sorted, pristine sands that captured the essence of tranquility amidst geological tumult.
āĻāĻāĻžāĻ¨ā§, āĻĒā§āĻ°āĻā§āĻ¤āĻŋ āĻ¤āĻžāĻ° āĻļā§āĻ˛ā§āĻĒāĻŋāĻāĻ¤āĻž āĻĒā§āĻ°āĻĻāĻ°ā§āĻļāĻ¨ āĻāĻ°ā§āĻāĻŋāĻ˛ āĻāĻžāĻ°āĻŖ āĻāĻāĻŋ āĻ¸ā§āĻā§āĻˇā§āĻŽāĻāĻžāĻŦā§ āĻ
āĻāĻā§āĻ° āĻāĻ˛ā§āĻ° āĻāĻŽāĻžāĻ° āĻāĻāĻāĻŋ āĻā§āĻĒā§āĻ¸ā§āĻā§āĻ°āĻŋ āĻ¤ā§āĻ°āĻŋ āĻāĻ°ā§āĻā§, āĻāĻžāĻ˛āĻāĻžāĻŦā§ āĻ¸āĻžāĻāĻžāĻ¨ā§, āĻāĻĻāĻŋāĻŽ āĻŦāĻžāĻ˛āĻŋāĻ° āĻāĻāĻāĻŋ āĻĻā§āĻ°ā§āĻĻāĻžāĻ¨ā§āĻ¤ āĻŽāĻžāĻ¸ā§āĻāĻžāĻ°āĻĒāĻŋāĻ¸ āĻ¯āĻž āĻā§āĻ¤āĻžāĻ¤ā§āĻ¤ā§āĻŦāĻŋāĻ āĻā§āĻ˛āĻŽāĻžāĻ˛ā§āĻ° āĻŽāĻ§ā§āĻ¯ā§ āĻĒā§āĻ°āĻļāĻžāĻ¨ā§āĻ¤āĻŋāĻ° āĻ¸āĻžāĻ°āĻžāĻāĻļāĻā§ āĻ§āĻžāĻ°āĻŖ āĻāĻ°ā§āĻāĻŋāĻ˛āĨ¤
7.Hand – Haat – āĻšāĻžāĻ¤
The hand, an extraordinary marvel in the realm of vertebrate anatomy, emerges as a testament to nature’s ingenuity.
āĻšāĻžāĻ¤, āĻŽā§āĻ°ā§āĻĻāĻŖā§āĻĄā§ āĻļāĻžāĻ°ā§āĻ°āĻŦā§āĻ¤ā§āĻ¤āĻŋāĻ° āĻā§āĻˇā§āĻ¤ā§āĻ°ā§ āĻāĻāĻāĻŋ āĻ
āĻ¸āĻžāĻ§āĻžāĻ°āĻŖ āĻŦāĻŋāĻ¸ā§āĻŽāĻ¯āĻŧ, āĻĒā§āĻ°āĻā§āĻ¤āĻŋāĻ° āĻāĻžāĻ¤ā§āĻ°ā§āĻ¯ā§āĻ° āĻĒā§āĻ°āĻŽāĻžāĻŖ āĻšāĻŋāĻ¸āĻžāĻŦā§ āĻāĻŦāĻŋāĻ°ā§āĻā§āĻ¤ āĻšāĻ¯āĻŧāĨ¤
Positioned gracefully at the terminus of the forelimb, it embodies a symphony of unparalleled mobility and astonishing flexibility, both in its individual digits and the entirety of its structure.
āĻ
āĻā§āĻ°āĻāĻžāĻā§āĻ° āĻāĻžāĻ°ā§āĻŽāĻŋāĻ¨āĻžāĻ¸ā§ āĻ¸ā§āĻ¨ā§āĻĻāĻ°āĻāĻžāĻŦā§ āĻ
āĻŦāĻ¸ā§āĻĨāĻžāĻ¨ āĻāĻ°ā§, āĻāĻāĻŋ āĻ¸ā§āĻŦāĻ¤āĻ¨ā§āĻ¤ā§āĻ° āĻ¸āĻāĻā§āĻ¯āĻž āĻāĻŦāĻ āĻāĻ° āĻāĻžāĻ āĻžāĻŽā§āĻ° āĻ¸āĻŽā§āĻĒā§āĻ°ā§āĻŖāĻ¤āĻž āĻāĻāĻ¯āĻŧ āĻā§āĻˇā§āĻ¤ā§āĻ°ā§āĻ āĻ
āĻ¤ā§āĻ˛āĻ¨ā§āĻ¯āĻŧ āĻāĻ¤āĻŋāĻļā§āĻ˛āĻ¤āĻž āĻāĻŦāĻ āĻāĻļā§āĻāĻ°ā§āĻ¯āĻāĻ¨āĻ āĻ¨āĻŽāĻ¨ā§āĻ¯āĻŧāĻ¤āĻžāĻ° āĻāĻāĻāĻŋ āĻ¸āĻŋāĻŽā§āĻĢāĻ¨āĻŋāĻā§ āĻŽā§āĻ°ā§āĻ¤ āĻāĻ°ā§āĨ¤
This intricate wonderland of dexterity is meticulously composed of the wrist joint, where agility takes root, the carpal bones, providing the foundation for grace, the metacarpal bones, bridging the gap between strength and grace, and the phalanges, each a testament to precision in design.
āĻ¨āĻŋāĻĒā§āĻŖāĻ¤āĻžāĻ° āĻāĻ āĻāĻāĻŋāĻ˛ āĻāĻļā§āĻāĻ°ā§āĻ¯āĻā§āĻŽāĻŋāĻāĻŋ āĻāĻŦā§āĻāĻŋāĻ° āĻāĻ¯āĻŧā§āĻ¨ā§āĻā§āĻ° āĻ¸āĻžāĻĨā§ āĻ¸ā§āĻā§āĻˇā§āĻŽāĻāĻžāĻŦā§ āĻāĻ āĻŋāĻ¤, āĻ¯ā§āĻāĻžāĻ¨ā§ āĻ¤āĻ¤ā§āĻĒāĻ°āĻ¤āĻž āĻļāĻŋāĻāĻĄāĻŧ āĻĻā§āĻ¯āĻŧ, āĻāĻžāĻ°ā§āĻĒāĻžāĻ˛ āĻšāĻžāĻĄāĻŧ, āĻ
āĻ¨ā§āĻā§āĻ°āĻšā§āĻ° āĻāĻŋāĻ¤ā§āĻ¤āĻŋ āĻĒā§āĻ°āĻĻāĻžāĻ¨ āĻāĻ°ā§, āĻŽā§āĻāĻžāĻāĻžāĻ°āĻĒāĻžāĻ˛ āĻšāĻžāĻĄāĻŧ, āĻļāĻā§āĻ¤āĻŋ āĻāĻŦāĻ āĻāĻ°ā§āĻŖāĻžāĻ° āĻŽāĻ§ā§āĻ¯ā§ āĻŦā§āĻ¯āĻŦāĻ§āĻžāĻ¨ āĻĒā§āĻ°āĻŖ āĻāĻ°ā§, āĻāĻŦāĻ āĻĢā§āĻ¯āĻžāĻ˛āĻžāĻā§āĻāĻ¸, āĻĒā§āĻ°āĻ¤āĻŋāĻāĻŋāĻ¤ā§ āĻ¨āĻŋāĻ°ā§āĻā§āĻ˛āĻ¤āĻžāĻ° āĻāĻāĻāĻŋ āĻĒā§āĻ°āĻŽāĻžāĻŖāĨ¤
In the grand orchestra of life, the hand is the virtuoso, orchestrating a symphony of movements that define the unique capabilities of its possessor.
āĻ¨āĻāĻļāĻž āĻā§āĻŦāĻ¨ā§āĻ° āĻā§āĻ°ā§āĻ¯āĻžāĻ¨ā§āĻĄ āĻ
āĻ°ā§āĻā§āĻ¸ā§āĻā§āĻ°āĻžāĻ¯āĻŧ, āĻšāĻžāĻ¤āĻāĻŋ āĻšāĻ˛ āĻā§āĻŖā§āĻāĻ¨, āĻ¯āĻž āĻ¤āĻžāĻ° āĻ
āĻ§āĻŋāĻāĻžāĻ°ā§āĻ° āĻ
āĻ¨āĻ¨ā§āĻ¯ āĻā§āĻˇāĻŽāĻ¤āĻžāĻā§ āĻ¸āĻāĻā§āĻāĻžāĻ¯āĻŧāĻŋāĻ¤ āĻāĻ°ā§ āĻāĻŽāĻ¨ āĻ¨āĻĄāĻŧāĻžāĻāĻĄāĻŧāĻžāĻ° āĻ¸āĻŋāĻŽā§āĻĢāĻ¨āĻŋ āĻ
āĻ°ā§āĻā§āĻ¸ā§āĻā§āĻ°ā§āĻ āĻāĻ°ā§āĨ¤
8.Foot – Pa – āĻĒāĻž
The foot, a true marvel of biomechanical engineering within the human body, is an intricate symphony of complexity and precision.
āĻĒāĻž, āĻŽāĻžāĻ¨āĻŦāĻĻā§āĻšā§āĻ° āĻŽāĻ§ā§āĻ¯ā§ āĻŦāĻžāĻ¯āĻŧā§āĻŽā§āĻāĻžāĻ¨āĻŋāĻāĻžāĻ˛ āĻāĻā§āĻāĻŋāĻ¨āĻŋāĻ¯āĻŧāĻžāĻ°āĻŋāĻāĻ¯āĻŧā§āĻ° āĻāĻāĻāĻŋ āĻ¸āĻ¤ā§āĻ¯āĻŋāĻāĻžāĻ°ā§āĻ° āĻŦāĻŋāĻ¸ā§āĻŽāĻ¯āĻŧ, āĻāĻāĻŋāĻ˛āĻ¤āĻž āĻāĻŦāĻ āĻ¨āĻŋāĻ°ā§āĻā§āĻ˛āĻ¤āĻžāĻ° āĻāĻāĻāĻŋ āĻāĻāĻŋāĻ˛ āĻ¸āĻŋāĻŽā§āĻĢāĻ¨āĻŋāĨ¤
Comprising an astounding ensemble of 33 joints, 26 meticulously arranged bones, and a harmonious interplay of over a hundred muscles, tendons, and ligaments, it stands as a testament to nature’s artistry in motion.
33āĻāĻŋ āĻāĻ¯āĻŧā§āĻ¨ā§āĻā§āĻ° āĻāĻāĻāĻŋ āĻāĻŽāĻāĻĒā§āĻ°āĻĻ āĻ¸āĻāĻŽāĻŋāĻļā§āĻ°āĻŖ, 26āĻāĻŋ āĻ¸āĻžāĻŦāĻ§āĻžāĻ¨ā§ āĻ¸āĻžāĻāĻžāĻ¨ā§ āĻšāĻžāĻĄāĻŧ āĻāĻŦāĻ āĻāĻāĻļā§āĻ°āĻ āĻŦā§āĻļāĻŋ āĻĒā§āĻļā§, āĻā§āĻ¨ā§āĻĄāĻ¨ āĻāĻŦāĻ āĻ˛āĻŋāĻāĻžāĻŽā§āĻ¨ā§āĻā§āĻ° āĻāĻāĻāĻŋ āĻ¸ā§āĻ°ā§āĻ˛āĻž āĻāĻ¨ā§āĻāĻžāĻ°āĻĒā§āĻ˛ā§ āĻ¸āĻš, āĻāĻāĻŋ āĻāĻ¤āĻŋāĻ¤ā§ āĻĒā§āĻ°āĻā§āĻ¤āĻŋāĻ° āĻļā§āĻ˛ā§āĻĒāĻŋāĻāĻ¤āĻžāĻ° āĻĒā§āĻ°āĻŽāĻžāĻŖ āĻšāĻŋāĻ¸āĻžāĻŦā§ āĻĻāĻžāĻāĻĄāĻŧāĻŋāĻ¯āĻŧā§āĻā§āĨ¤
This remarkable assembly is not merely a passive foundation but a dynamic masterpiece, meticulously designed to bear the weight of existence, to usher us through the world with graceful locomotion, and to seamlessly transmit the force of our every step into the canvas of our earthly journey.
āĻāĻ āĻ
āĻ¸āĻžāĻ§āĻžāĻ°āĻŖ āĻ¸āĻŽāĻžāĻŦā§āĻļāĻāĻŋ āĻ¨āĻŋāĻāĻ āĻāĻāĻāĻŋ āĻ¨āĻŋāĻˇā§āĻā§āĻ°āĻŋāĻ¯āĻŧ āĻāĻŋāĻ¤ā§āĻ¤āĻŋ āĻ¨āĻ¯āĻŧ āĻŦāĻ°āĻ āĻāĻāĻāĻŋ āĻāĻ¤āĻŋāĻļā§āĻ˛ āĻŽāĻžāĻ¸ā§āĻāĻžāĻ°āĻĒāĻŋāĻ¸, āĻ¯āĻž āĻ
āĻ¸ā§āĻ¤āĻŋāĻ¤ā§āĻŦā§āĻ° āĻāĻžāĻ° āĻŦāĻšāĻ¨ āĻāĻ°āĻžāĻ° āĻāĻ¨ā§āĻ¯, āĻ¸ā§āĻ¨ā§āĻĻāĻ° āĻāĻ¤āĻŋāĻ° āĻ¸āĻžāĻĨā§ āĻāĻŽāĻžāĻĻā§āĻ°āĻā§ āĻŦāĻŋāĻļā§āĻŦā§āĻ° āĻŽāĻ§ā§āĻ¯ā§ āĻ¨āĻŋāĻ¯āĻŧā§ āĻ¯āĻžāĻāĻ¯āĻŧāĻžāĻ° āĻāĻ¨ā§āĻ¯ āĻāĻŦāĻ āĻāĻŽāĻžāĻĻā§āĻ° āĻĒāĻžāĻ°ā§āĻĨāĻŋāĻŦ āĻ¯āĻžāĻ¤ā§āĻ°āĻžāĻ° āĻā§āĻ¯āĻžāĻ¨āĻāĻžāĻ¸ā§ āĻāĻŽāĻžāĻĻā§āĻ° āĻĒā§āĻ°āĻ¤āĻŋāĻāĻŋ āĻĒāĻĻāĻā§āĻˇā§āĻĒā§āĻ° āĻļāĻā§āĻ¤āĻŋāĻā§ āĻ¨āĻŋāĻ°ā§āĻŦāĻŋāĻā§āĻ¨ā§ āĻ¸āĻā§āĻāĻžāĻ°āĻŋāĻ¤ āĻāĻ°āĻžāĻ° āĻāĻ¨ā§āĻ¯ āĻ¸āĻ¤āĻ°ā§āĻāĻ¤āĻžāĻ° āĻ¸āĻžāĻĨā§ āĻĄāĻŋāĻāĻžāĻāĻ¨ āĻāĻ°āĻž āĻšāĻ¯āĻŧā§āĻā§āĨ¤
In the grand ballet of human anatomy, the foot is the choreographer, orchestrating the poetry of movement with each elegantly choreographed step.
āĻŽāĻžāĻ¨āĻŦ āĻļāĻžāĻ°ā§āĻ°āĻ¸ā§āĻĨāĻžāĻ¨ā§āĻ° āĻā§āĻ°ā§āĻ¯āĻžāĻ¨ā§āĻĄ āĻŦā§āĻ¯āĻžāĻ˛ā§, āĻĒāĻž āĻšāĻ˛ āĻā§āĻ°āĻŋāĻāĻā§āĻ°āĻžāĻĢāĻžāĻ°, āĻĒā§āĻ°āĻ¤āĻŋāĻāĻŋ āĻŽāĻžāĻ°ā§āĻāĻŋāĻ¤āĻāĻžāĻŦā§ āĻā§āĻ°āĻŋāĻāĻā§āĻ°āĻžāĻĢ āĻāĻ°āĻž āĻĒāĻĻāĻā§āĻˇā§āĻĒā§āĻ° āĻ¸āĻžāĻĨā§ āĻāĻ¨ā§āĻĻā§āĻ˛āĻ¨ā§āĻ° āĻāĻŦāĻŋāĻ¤āĻžāĻā§ āĻ
āĻ°ā§āĻā§āĻ¸ā§āĻā§āĻ°ā§āĻ āĻāĻ°ā§āĨ¤
Bengali is a language that can be spoken in various ways depending on the location.
āĻŦāĻžāĻāĻ˛āĻž āĻāĻŽāĻ¨ āĻāĻāĻāĻŋ āĻāĻžāĻˇāĻž āĻ¯āĻž āĻ āĻŦāĻ¸ā§āĻĨāĻžāĻ¨ā§āĻ° āĻāĻĒāĻ° āĻ¨āĻŋāĻ°ā§āĻāĻ° āĻāĻ°ā§ āĻŦāĻŋāĻāĻŋāĻ¨ā§āĻ¨ āĻāĻĒāĻžāĻ¯āĻŧā§ āĻŦāĻ˛āĻž āĻ¯āĻžāĻ¯āĻŧāĨ¤
Bangla emon akti bhasha ja obosthaner upor nirvor kore bibhirnno upaye bola jaaiāĨ¤
It's not uncommon to hear the same sentence pronounced differently in different places.
āĻāĻāĻ āĻŦāĻžāĻā§āĻ¯ āĻŦāĻŋāĻāĻŋāĻ¨ā§āĻ¨ āĻāĻžāĻ¯āĻŧāĻāĻžāĻ¯āĻŧ āĻāĻŋāĻ¨ā§āĻ¨āĻāĻžāĻŦā§ āĻāĻā§āĻāĻžāĻ°āĻŋāĻ¤ āĻšāĻāĻ¯āĻŧāĻž āĻ āĻ¸ā§āĻŦāĻžāĻāĻžāĻŦāĻŋāĻ āĻ¨āĻ¯āĻŧāĨ¤
Aki bakko bibhirnno jaigai bhirnnobhabe uchaarito howa osabhabik noyāĨ¤
Moreover, a word in Bengali can have two different pronunciations.
āĻ¤āĻžāĻāĻžāĻĄāĻŧāĻž āĻŦāĻžāĻāĻ˛āĻžāĻ¯āĻŧ āĻāĻāĻāĻŋ āĻļāĻŦā§āĻĻā§āĻ° āĻĻā§āĻāĻŋ āĻāĻŋāĻ¨ā§āĻ¨ āĻāĻā§āĻāĻžāĻ°āĻŖ āĻĨāĻžāĻāĻ¤ā§ āĻĒāĻžāĻ°ā§āĨ¤
Tachara banglai ekti sobder duti bhirnno uchaaron thakte pareāĨ¤
āĻ¯ā§āĻŽāĻ¨- Jemon- ( for example )
āĻāĻŽāĻŋ āĻāĻ¤āĻāĻžāĻ˛ āĻāĻŋāĻ¯āĻŧā§āĻāĻŋāĻ˛āĻžāĻŽ, ( Ami Gotokal Giyechilam )
āĻāĻŽāĻŋ āĻāĻžāĻ˛āĻā§ āĻāĻŋāĻ¯āĻŧā§āĻāĻŋāĻ˛āĻžāĻŽ, ( Ami kalke Giyechilam )
This sentence is called in English ( I want yesterday )
The sentance are the same but the sentace are different. The same word can be said in two ways.
āĻŦāĻžāĻā§āĻ¯ āĻāĻāĻ āĻāĻŋāĻ¨ā§āĻ¤ā§ āĻŦāĻžāĻā§āĻ¯ āĻāĻŋāĻ¨ā§āĻ¨āĨ¤ āĻāĻāĻ āĻāĻĨāĻž āĻĻā§āĻāĻāĻžāĻŦā§ āĻŦāĻ˛āĻž āĻ¯āĻžāĻ¯āĻŧāĨ¤
Bakko eki kintu bakko bhirnnoāĨ¤ aki kotha dubhabe bola jaiāĨ¤
Our team Learn Bengali Now has written these posts in their own language,
āĻāĻŽāĻžāĻĻā§āĻ° āĻāĻŋāĻŽ âāĻŦāĻžāĻāĻ˛āĻž āĻļāĻŋāĻā§āĻ¨ āĻāĻāĻ¨â āĻāĻ āĻĒā§āĻ¸ā§āĻāĻā§āĻ˛āĻŋ āĻ¤āĻžāĻĻā§āĻ° āĻ¨āĻŋāĻāĻ¸ā§āĻŦ āĻāĻžāĻˇāĻžāĻ¯āĻŧ āĻ˛āĻŋāĻā§āĻā§āĻ¨,
amader team âBangla Sikhun Akhonâ ai postguli tader nijoshro bhasai likhechen,
There may be some mistakes in this because Bengali language can be spoken in many ways.
āĻāĻ¤ā§ āĻāĻŋāĻā§ āĻā§āĻ˛ āĻĨāĻžāĻāĻ¤ā§ āĻĒāĻžāĻ°ā§ āĻāĻžāĻ°āĻŖ āĻŦāĻžāĻāĻ˛āĻž āĻāĻžāĻˇāĻž āĻ¨āĻžāĻ¨āĻžāĻāĻžāĻŦā§ āĻŦāĻ˛āĻž āĻ¯āĻžāĻ¯āĻŧāĨ¤
ate kichu bhul thakte pare karon bangla bhasha nananbhabe bola jaiāĨ¤